"No one ever taught me and I can't teach anyone. If you can't explain it, how can you take credit for it?"
About this Quote
Red Grange’s line lands like a stiff-arm to the ego, especially in a sports culture that loves to crown “genius” and inflate origin stories. “No one ever taught me and I can’t teach anyone” isn’t false modesty so much as a blunt admission of something athletes rarely say out loud: a lot of elite performance lives below language. Timing, vision, nerve, the bodily math of cutting through traffic - it’s felt, not diagrammed. Grange, the original college football celebrity of the 1920s, came up when the game was still rough-hewn and coaching infrastructure was nothing like today’s labs-and-tablets machine. The myth of the naturally gifted runner wasn’t just a narrative; it was the product.
The second sentence sharpens the knife. “If you can’t explain it, how can you take credit for it?” He’s not only questioning the athlete’s claim to mastery; he’s poking at everyone who profits off unexplainable excellence. Credit is a social transaction. It usually goes to the person who can frame the story: the coach with the chalkboard, the scout with the eye, the commentator with the metaphor, even the star who can narrate his own greatness. Grange refuses that arrangement. He suggests that ownership requires articulation - that if you can’t translate instinct into instruction, your “credit” is shaky.
There’s an almost modern humility here: talent as a kind of accident, achievement as something you can do but not fully possess. In a fame economy built on branding and expertise, Grange’s discomfort reads less like innocence and more like quiet resistance.
The second sentence sharpens the knife. “If you can’t explain it, how can you take credit for it?” He’s not only questioning the athlete’s claim to mastery; he’s poking at everyone who profits off unexplainable excellence. Credit is a social transaction. It usually goes to the person who can frame the story: the coach with the chalkboard, the scout with the eye, the commentator with the metaphor, even the star who can narrate his own greatness. Grange refuses that arrangement. He suggests that ownership requires articulation - that if you can’t translate instinct into instruction, your “credit” is shaky.
There’s an almost modern humility here: talent as a kind of accident, achievement as something you can do but not fully possess. In a fame economy built on branding and expertise, Grange’s discomfort reads less like innocence and more like quiet resistance.
Quote Details
| Topic | Teaching |
|---|---|
| Source | Help us find the source |
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