"No one knows how to write a novel until it's been written"
About this Quote
Hoffman’s line lands like a quiet rebuke to the whole cottage industry of prescriptive craft: outlines, beat sheets, “ten rules” for plot, the fantasy that if you just study the right system you’ll finally be authorized to begin. It’s not anti-skill; it’s anti-certainty. The sentence turns the novel into a paradoxical apprenticeship where the credential only arrives after the work is finished, and even then it’s retroactive: you didn’t know how, until you did.
The intent is both permission slip and warning. Permission, because it normalizes the fog every novelist lives in: the middle that won’t behave, the characters who refuse the plan, the ending that keeps moving. Warning, because it refuses the comforting notion that you can think your way around failure. Hoffman is asserting that “how” is not a set of transferable instructions but an emergent property of a particular book, written by a particular person, at a particular moment. Craft exists, but it’s discovered under pressure, in scene-level decisions, in revisions that teach you what the story actually is.
There’s also a sly democratizing subtext. If nobody knows the route in advance, then the gatekeepers of certainty (the workshop oracle, the overconfident critic, the algorithmic advice) are exposed as performers. The only real authority is the finished object. In an era that rewards hot takes and process-as-content, Hoffman stakes a stubbornly old-fashioned claim: the novel is still made the hard way, by walking into the dark until the dark starts to look like a map.
The intent is both permission slip and warning. Permission, because it normalizes the fog every novelist lives in: the middle that won’t behave, the characters who refuse the plan, the ending that keeps moving. Warning, because it refuses the comforting notion that you can think your way around failure. Hoffman is asserting that “how” is not a set of transferable instructions but an emergent property of a particular book, written by a particular person, at a particular moment. Craft exists, but it’s discovered under pressure, in scene-level decisions, in revisions that teach you what the story actually is.
There’s also a sly democratizing subtext. If nobody knows the route in advance, then the gatekeepers of certainty (the workshop oracle, the overconfident critic, the algorithmic advice) are exposed as performers. The only real authority is the finished object. In an era that rewards hot takes and process-as-content, Hoffman stakes a stubbornly old-fashioned claim: the novel is still made the hard way, by walking into the dark until the dark starts to look like a map.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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