"Nobody does anything for one reason"
About this Quote
Banks’s line is a quiet demolition job on the tidy stories we tell about ourselves. “Nobody does anything for one reason” doesn’t just argue that people are complicated; it indicts the way we package motive into a single, flattering headline. One reason is what you put on a form, or tell a friend, or use in court. Real motive is a messy braid: desire and fear, pride and self-protection, habit and impulse, morality and image management. Banks is insisting that the human psyche is not a press release.
The sentence works because it’s absolute and plainspoken, almost stubbornly anti-literary. No metaphor, no flourish, just an unromantic rule of thumb that sounds like something learned the hard way. The bluntness is the point: it forces the reader to confront how often we accept a single-cause explanation because it’s comforting. “I did it for love” or “for money” is an alibi as much as an explanation, a way to stop the interrogation before it reaches the parts that implicate us.
In Banks’s fictional universe, this is a moral and social observation as much as a psychological one. His characters tend to live inside American systems that reward simplification: institutions want motive reduced to one clean narrative, whether it’s a news story, a trial, or a family legend. The subtext is destabilizing: if our motives are always plural, then our innocence is always partial, and our self-knowledge is always under negotiation.
The sentence works because it’s absolute and plainspoken, almost stubbornly anti-literary. No metaphor, no flourish, just an unromantic rule of thumb that sounds like something learned the hard way. The bluntness is the point: it forces the reader to confront how often we accept a single-cause explanation because it’s comforting. “I did it for love” or “for money” is an alibi as much as an explanation, a way to stop the interrogation before it reaches the parts that implicate us.
In Banks’s fictional universe, this is a moral and social observation as much as a psychological one. His characters tend to live inside American systems that reward simplification: institutions want motive reduced to one clean narrative, whether it’s a news story, a trial, or a family legend. The subtext is destabilizing: if our motives are always plural, then our innocence is always partial, and our self-knowledge is always under negotiation.
Quote Details
| Topic | Reason & Logic |
|---|
More Quotes by Russell
Add to List
