"Nobody makes movies bad on purpose"
About this Quote
Roland Emmerich’s line is a small act of damage control for an art form that’s become a contact sport. It pushes back against the lazy premise that a “bad movie” is the product of contempt: a studio cash-grab, a director phoning it in, a cynical algorithm wearing a human face. Emmerich, the patron saint of gleeful destruction, knows how quickly audiences translate “I didn’t like it” into “they didn’t care.” His quote asks for a more adult diagnosis: most misfires are overreaches, compromises, or mismatched expectations, not malice.
The intent is part empathy, part self-defense. When your filmography includes earnest, expensive spectacle, you live under the constant suspicion that you’re trolling taste. Emmerich reframes even the loudest, most implausible blockbuster as the result of sincere choices made under pressure: scripts rewritten mid-flight, effects pipelines, notes from ten stakeholders, the necessity of hitting a release date that was set before the ending worked. “On purpose” is the key phrase, because it shifts blame away from individual craft and toward the messy ecosystem that manufactures consensus.
The subtext is also a quiet critique of the internet’s moralizing. Calling a movie “bad” now often implies ethical failure: disrespect for fans, for culture, for cinema itself. Emmerich’s point isn’t that we should lower standards; it’s that we should retire the conspiracy theory of intentional incompetence. In a business where everyone is trying to make something that lands, failure is usually just ambition meeting physics.
The intent is part empathy, part self-defense. When your filmography includes earnest, expensive spectacle, you live under the constant suspicion that you’re trolling taste. Emmerich reframes even the loudest, most implausible blockbuster as the result of sincere choices made under pressure: scripts rewritten mid-flight, effects pipelines, notes from ten stakeholders, the necessity of hitting a release date that was set before the ending worked. “On purpose” is the key phrase, because it shifts blame away from individual craft and toward the messy ecosystem that manufactures consensus.
The subtext is also a quiet critique of the internet’s moralizing. Calling a movie “bad” now often implies ethical failure: disrespect for fans, for culture, for cinema itself. Emmerich’s point isn’t that we should lower standards; it’s that we should retire the conspiracy theory of intentional incompetence. In a business where everyone is trying to make something that lands, failure is usually just ambition meeting physics.
Quote Details
| Topic | Movie |
|---|
More Quotes by Roland
Add to List





