"Not that I want everything right now; but I do want everything"
About this Quote
Greed, admitted with a shrug and a smile: that is the sly engine of Nastassja Kinski's line. The opening clause performs modesty - "Not that I want everything right now" - as if she's trying on restraint for the camera. Then she snaps it off. The pivot, "but", isn’t a correction so much as a confession. Timing is negotiable; desire is not.
As an actress whose persona was often framed through longing and menace in equal measure, Kinski’s phrasing reads like a tiny manifesto about appetite in a culture that polices it, especially in women. The sentence stages the classic bargain: be patient, be reasonable, don’t seem demanding. Then it quietly refuses the bargain. She grants the audience a comforting virtue (delay) while keeping the supposedly unseemly ambition (totality). That tension is the point. It’s not impatience she’s defending; it’s scale.
The subtext lands in the era’s backdrop of celebrity and consumer abundance: the 1980s and after, when wanting "more" became both lifestyle and accusation. Kinski makes the accusation moot by owning it. There’s also craft in the rhythm - the repetition of "everything" turns an abstract hunger into a drumbeat, blunt enough to be funny, blunt enough to be honest. It’s desire without the alibi, softened only by the wink of timing.
As an actress whose persona was often framed through longing and menace in equal measure, Kinski’s phrasing reads like a tiny manifesto about appetite in a culture that polices it, especially in women. The sentence stages the classic bargain: be patient, be reasonable, don’t seem demanding. Then it quietly refuses the bargain. She grants the audience a comforting virtue (delay) while keeping the supposedly unseemly ambition (totality). That tension is the point. It’s not impatience she’s defending; it’s scale.
The subtext lands in the era’s backdrop of celebrity and consumer abundance: the 1980s and after, when wanting "more" became both lifestyle and accusation. Kinski makes the accusation moot by owning it. There’s also craft in the rhythm - the repetition of "everything" turns an abstract hunger into a drumbeat, blunt enough to be funny, blunt enough to be honest. It’s desire without the alibi, softened only by the wink of timing.
Quote Details
| Topic | Motivational |
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