"Not very many people can draw who are illustrators today"
About this Quote
A small grenade lobbed at a whole industry, Kricfalusi's line works because it sounds almost childish in its simplicity, then lands as a damning professional judgment. The syntax is blunt, even clumsy: "can draw" versus "are illustrators". That mismatch is the point. He's separating a job title from a skill, implying the market now rewards the label more than the underlying craft.
Kricfalusi comes out of an animation tradition where draftsmanship isn't ornamental; it's the engine of timing, character, and comedy. His own work fetishizes line: elastic anatomy, aggressive poses, faces that can turn grotesque or tender in a few strokes. So when he says "not very many", he's not making a nostalgic plea for "the classics". He's accusing contemporary illustration of outsourcing difficulty: leaning on digital shortcuts, photo reference without interpretation, stylistic branding that reads well on a feed but collapses under scrutiny.
The subtext is also a power struggle over who gets to define quality. "Illustrator" has expanded to include concept artists, designers, influencers, and anyone moving images for clients. Kricfalusi is narrowing the gate again, using "draw" as a moral test. It's a classic provocateur move: claim that the emperor has no clothes, then force everyone to argue about what counts as clothing.
Context matters because his persona has long been combative, positioning himself as a defender of craft against committees, trends, and softened edges. The quote doesn't just critique skills; it stakes a claim: the work should show the hand, and the hand should be trained.
Kricfalusi comes out of an animation tradition where draftsmanship isn't ornamental; it's the engine of timing, character, and comedy. His own work fetishizes line: elastic anatomy, aggressive poses, faces that can turn grotesque or tender in a few strokes. So when he says "not very many", he's not making a nostalgic plea for "the classics". He's accusing contemporary illustration of outsourcing difficulty: leaning on digital shortcuts, photo reference without interpretation, stylistic branding that reads well on a feed but collapses under scrutiny.
The subtext is also a power struggle over who gets to define quality. "Illustrator" has expanded to include concept artists, designers, influencers, and anyone moving images for clients. Kricfalusi is narrowing the gate again, using "draw" as a moral test. It's a classic provocateur move: claim that the emperor has no clothes, then force everyone to argue about what counts as clothing.
Context matters because his persona has long been combative, positioning himself as a defender of craft against committees, trends, and softened edges. The quote doesn't just critique skills; it stakes a claim: the work should show the hand, and the hand should be trained.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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