"Nothing could ever stop Kiss. I've seen the band in down times where critics were like vultures circling overhead saying things like, 'Well, you know it's the end of your career.'"
About this Quote
Paul Stanley frames Kiss not as a band but as a survival machine, and the swagger is doing more than chest-thumping. “Nothing could ever stop Kiss” is a mythic line in the band’s native language: grand, comic-book certainty. It’s also a preemptive strike against a particular cultural script, the one where rock acts age out, get “exposed,” and are politely retired by critics who fancy themselves the grown-ups in the room.
The best move here is the metaphor: critics as “vultures circling overhead.” Vultures don’t kill; they wait. Stanley isn’t accusing reviewers of bad taste so much as bad faith, suggesting they’re invested in collapse, hovering for the quote they can use as a gravestone. That’s a pointed jab at rock criticism’s long-running suspicion of spectacle and commerce. Kiss has always been an easy target for gatekeepers: makeup, merch, arena bombast, a brand loud enough to be read as an affront. Stanley flips the power dynamic. The critics aren’t arbiters; they’re scavengers, reacting to the band’s life rather than shaping it.
The context matters: Kiss has had real dips - shifting lineups, changing trends, a backlash against theatrical rock, periods when the “end of your career” talk sounded plausible. Stanley’s intent is to turn that history into proof of resilience, even destiny. Subtext: the band’s longevity isn’t despite being derided; it’s partially fueled by it. When he says he’s “seen” it, he’s claiming veteran authority and inviting fans into the us-versus-them story Kiss has always sold: the show survives, the doubters don’t.
The best move here is the metaphor: critics as “vultures circling overhead.” Vultures don’t kill; they wait. Stanley isn’t accusing reviewers of bad taste so much as bad faith, suggesting they’re invested in collapse, hovering for the quote they can use as a gravestone. That’s a pointed jab at rock criticism’s long-running suspicion of spectacle and commerce. Kiss has always been an easy target for gatekeepers: makeup, merch, arena bombast, a brand loud enough to be read as an affront. Stanley flips the power dynamic. The critics aren’t arbiters; they’re scavengers, reacting to the band’s life rather than shaping it.
The context matters: Kiss has had real dips - shifting lineups, changing trends, a backlash against theatrical rock, periods when the “end of your career” talk sounded plausible. Stanley’s intent is to turn that history into proof of resilience, even destiny. Subtext: the band’s longevity isn’t despite being derided; it’s partially fueled by it. When he says he’s “seen” it, he’s claiming veteran authority and inviting fans into the us-versus-them story Kiss has always sold: the show survives, the doubters don’t.
Quote Details
| Topic | Perseverance |
|---|---|
| Source | Help us find the source |
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