"Nothing dies harder than a bad idea"
About this Quote
Nothing dies harder than a bad idea because bad ideas don’t survive on truth; they survive on comfort, repetition, and the quiet payoff of not having to change. Julia Cameron, best known for The Artist’s Way and her long advocacy for creative recovery, isn’t aiming for a clever epigram so much as a diagnostic. In creative life, the “bad idea” is rarely a single goofy concept. It’s the whole inner operating system: the story that you’re not talented enough, that “real” artists suffer, that practicality is virtue, that rejection is a verdict rather than data.
The line works by flipping our usual assumptions about Darwinian merit. We like to believe weak ideas naturally collapse under scrutiny. Cameron’s cynicism is gentler but sharper: the worst ideas are often the stickiest because they’re socially reinforced. Institutions prefer them because they’re predictable. Families pass them down because they sound like wisdom. Even your own brain clings to them because they excuse you from risk. A good idea asks for labor and exposure; a bad one offers a warm, familiar cage.
Context matters here: Cameron’s project has always been less about “inspiration” than about removing the psychic barnacles that keep people from making anything at all. This sentence is a warning and a permission slip. If you’re trying to outgrow a deadening belief and it keeps resurfacing, that’s not proof you’re failing. It’s proof you’ve picked a fight with something built to endure. The task isn’t to defeat it in a single argument; it’s to starve it of attention, habit, and airtime.
The line works by flipping our usual assumptions about Darwinian merit. We like to believe weak ideas naturally collapse under scrutiny. Cameron’s cynicism is gentler but sharper: the worst ideas are often the stickiest because they’re socially reinforced. Institutions prefer them because they’re predictable. Families pass them down because they sound like wisdom. Even your own brain clings to them because they excuse you from risk. A good idea asks for labor and exposure; a bad one offers a warm, familiar cage.
Context matters here: Cameron’s project has always been less about “inspiration” than about removing the psychic barnacles that keep people from making anything at all. This sentence is a warning and a permission slip. If you’re trying to outgrow a deadening belief and it keeps resurfacing, that’s not proof you’re failing. It’s proof you’ve picked a fight with something built to endure. The task isn’t to defeat it in a single argument; it’s to starve it of attention, habit, and airtime.
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| Topic | Witty One-Liners |
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