"Nothing is accidental in the universe - this is one of my Laws of Physics - except the entire universe itself, which is Pure Accident, pure divinity"
About this Quote
Determinism gets dressed up as a punchline here, and Joyce Carol Oates knows exactly what she is doing. The line starts with the thump of authority: “Nothing is accidental in the universe,” capped with the mock-gravity of “one of my Laws of Physics.” She borrows the posture of scientific certainty only to yank it away a beat later. That reversal is the engine: the only true accident is the whole system. It is a novelist’s provocation staged as cosmology.
The subtext reads like an argument with our hunger for patterns. Humans want meaning that behaves like math: tidy, inevitable, immune to grief. Oates concedes that inside any given world, events can feel law-bound, narratively “earned.” That is how stories work; that is also how we cope. Then she detonates the comfort by declaring the universe itself “Pure Accident,” refusing the idea that there is a moral architecture underneath the machinery.
“Pure divinity” is the sly final turn. Divinity is usually the opposite of accident: intention, plan, a hand on the scale. Oates fuses them, suggesting that the sacred might not be a supervising mind but the raw fact of existence without warranty. It’s an existential theology for a secular age: awe without a manager.
Contextually, this fits Oates’s career-long preoccupation with violence, chance, and the stories we tell to retrofit causality onto trauma. The line isn’t anti-science; it’s anti-consolation. It’s insisting that meaning is something we make inside the accident, not something the accident owes us.
The subtext reads like an argument with our hunger for patterns. Humans want meaning that behaves like math: tidy, inevitable, immune to grief. Oates concedes that inside any given world, events can feel law-bound, narratively “earned.” That is how stories work; that is also how we cope. Then she detonates the comfort by declaring the universe itself “Pure Accident,” refusing the idea that there is a moral architecture underneath the machinery.
“Pure divinity” is the sly final turn. Divinity is usually the opposite of accident: intention, plan, a hand on the scale. Oates fuses them, suggesting that the sacred might not be a supervising mind but the raw fact of existence without warranty. It’s an existential theology for a secular age: awe without a manager.
Contextually, this fits Oates’s career-long preoccupation with violence, chance, and the stories we tell to retrofit causality onto trauma. The line isn’t anti-science; it’s anti-consolation. It’s insisting that meaning is something we make inside the accident, not something the accident owes us.
Quote Details
| Topic | Free Will & Fate |
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