"Nothing is more desirable than to be released from an affliction, but nothing is more frightening than to be divested of a crutch"
About this Quote
Baldwin understands that suffering can become a kind of citizenship: brutal, constricting, but familiar enough to navigate. The line snaps because it refuses the clean, inspirational arc we like to impose on pain. Yes, an affliction is something you want gone. But a crutch is also a story, a strategy, a ready-made explanation for why your life looks the way it does. Let go of it and you don’t just regain freedom; you inherit responsibility.
The subtext is psychological and political at once. Baldwin spent his career dissecting how Americans cling to myths that injure them because the alternative is terror: seeing yourself clearly, acting without alibis, admitting complicity, risking change. “Affliction” can be trauma, addiction, poverty, racism, or the internalized roles built to survive them. The “crutch” is whatever turns that affliction into identity, shielding you from the blank, demanding space that comes after recovery: Who are you when the wound is no longer the organizing principle?
The sentence is built on a stark symmetry - “nothing… nothing” - that reads like a moral ledger. “Released” suggests emancipation, but “divested” sounds like being stripped, not healed. Baldwin’s intent isn’t to romanticize pain; it’s to warn that liberation has an aftershock. People fear not just the hardship they know, but the uncharted self they might become without it. That’s Baldwin at his most bracing: freedom is desirable, and it’s also a cliff.
The subtext is psychological and political at once. Baldwin spent his career dissecting how Americans cling to myths that injure them because the alternative is terror: seeing yourself clearly, acting without alibis, admitting complicity, risking change. “Affliction” can be trauma, addiction, poverty, racism, or the internalized roles built to survive them. The “crutch” is whatever turns that affliction into identity, shielding you from the blank, demanding space that comes after recovery: Who are you when the wound is no longer the organizing principle?
The sentence is built on a stark symmetry - “nothing… nothing” - that reads like a moral ledger. “Released” suggests emancipation, but “divested” sounds like being stripped, not healed. Baldwin’s intent isn’t to romanticize pain; it’s to warn that liberation has an aftershock. People fear not just the hardship they know, but the uncharted self they might become without it. That’s Baldwin at his most bracing: freedom is desirable, and it’s also a cliff.
Quote Details
| Topic | Letting Go |
|---|---|
| Source | Unverified source: Nobody Knows My Name: More Notes of a Native Son (James A. Baldwin, 1961)
Evidence: Introduction (often cited as pp. xi–xii in later editions). The line appears in James Baldwin’s own text in the book’s Introduction, in the passage beginning “In America, the color of my skin had stood between myself and me; in Europe, that barrier was down…”. Contemporary secondary confirmation:... Other candidates (2) Contemporary Perspectives on Freud's Seduction Theory and... (Warwick Middleton, Martin J. Dorahy, 2024) compilation96.3% ... James Baldwin (1961) so eloquently stated, 'Nothing is more desirable than to be released from an affliction, but... James Baldwin (James A. Baldwin) compilation35.6% ve to make the reader see it this i learned from dostoyevsky from balzac 1984 perhaps the turning point in ones life ... |
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