"Nothing is more memorable than a smell. One scent can be unexpected, momentary and fleeting, yet conjure up a childhood summer beside a lake in the mountains"
About this Quote
Smell is memory’s contraband: it slips past the bouncers of language and logic and hits the brain where we’re least defended. Ackerman, a poet with a naturalist’s eye, isn’t just praising scent as a vivid sense; she’s staking a claim about how identity gets stored and retrieved. “Nothing is more memorable” reads like a dare to a culture that treats memory as a tidy narrative you can caption and share. A smell doesn’t arrive as a story. It arrives as weather.
Her sentence structure mirrors the phenomenon. The triad “unexpected, momentary and fleeting” moves fast, almost evasive, then the line opens into a long, specific tableau: “a childhood summer beside a lake in the mountains.” That pivot is the trick. The sensory trigger is small and vanishing; the world it unlocks is expansive and immersive. Subtext: what we call the past isn’t primarily an archive of facts, it’s a stash of bodily impressions waiting to be reactivated.
There’s also a gentle rebuke to our image-dominated era. Photos flatten time into surfaces; scent restores volume. It can resurrect not only what happened but how it felt to be there, including the parts you didn’t know you were recording: sunscreen, pine resin, damp rocks, the cold metallic edge of lake water.
Context matters: Ackerman’s work often treats the senses as intellectual portals, not indulgences. Here, she frames smell as an almost involuntary form of truth-telling, a reminder that our most durable memories are less curated than ambushed.
Her sentence structure mirrors the phenomenon. The triad “unexpected, momentary and fleeting” moves fast, almost evasive, then the line opens into a long, specific tableau: “a childhood summer beside a lake in the mountains.” That pivot is the trick. The sensory trigger is small and vanishing; the world it unlocks is expansive and immersive. Subtext: what we call the past isn’t primarily an archive of facts, it’s a stash of bodily impressions waiting to be reactivated.
There’s also a gentle rebuke to our image-dominated era. Photos flatten time into surfaces; scent restores volume. It can resurrect not only what happened but how it felt to be there, including the parts you didn’t know you were recording: sunscreen, pine resin, damp rocks, the cold metallic edge of lake water.
Context matters: Ackerman’s work often treats the senses as intellectual portals, not indulgences. Here, she frames smell as an almost involuntary form of truth-telling, a reminder that our most durable memories are less curated than ambushed.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Diane Ackerman, A Natural History of the Senses (1990) — contains the line: "Nothing is more memorable than a smell. One scent can be unexpected, momentary and fleeting, yet conjure up a childhood summer beside a lake in the mountains." |
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