"Nothing is so hideous as an obsolete fashion"
About this Quote
Obsolescence is doing most of the violence here. Stendhal isn’t really talking about ruffles or waistcoats; he’s indicting the panic built into modern taste, where yesterday’s signal of refinement becomes today’s proof you didn’t get the memo. “Hideous” is calibrated cruelty: not merely unfashionable, but aesthetically and socially repellent, as if time itself has rendered the object morally suspect. The line works because it captures fashion’s core trick: it pretends to be about beauty while functioning as a timing test.
Stendhal wrote in a France still vibrating from revolution, empire, and restoration - a culture where allegiances, manners, and even silhouettes could mark you as belonging to a regime that had just fallen. In that context, an “obsolete” look isn’t quaint; it’s a compromised identity. Clothing becomes a political fossil, and the horror is the exposure: you’re revealed as someone whose instincts are out of sync with the present.
The subtext is a kind of bourgeois nightmare. Obsolete fashion implies not just poverty (unable to keep up) but misreading the crowd, the deadliest mistake in status theater. Stendhal, a novelist of ambition and self-invention, understands how quickly the social world converts appearance into character judgment. The joke’s bite is that fashion’s ugliness isn’t in the garment at all; it’s in the way society weaponizes time, turning the harmless lag of a sleeve or hem into a verdict on your relevance.
Stendhal wrote in a France still vibrating from revolution, empire, and restoration - a culture where allegiances, manners, and even silhouettes could mark you as belonging to a regime that had just fallen. In that context, an “obsolete” look isn’t quaint; it’s a compromised identity. Clothing becomes a political fossil, and the horror is the exposure: you’re revealed as someone whose instincts are out of sync with the present.
The subtext is a kind of bourgeois nightmare. Obsolete fashion implies not just poverty (unable to keep up) but misreading the crowd, the deadliest mistake in status theater. Stendhal, a novelist of ambition and self-invention, understands how quickly the social world converts appearance into character judgment. The joke’s bite is that fashion’s ugliness isn’t in the garment at all; it’s in the way society weaponizes time, turning the harmless lag of a sleeve or hem into a verdict on your relevance.
Quote Details
| Topic | Wisdom |
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