"Now, there are people that are Christian artists, because they have a purpose to be evangelical for Christ. I don't feel I've been called to that yet. Now, that could change. There's no telling what kind of call God will put on my life"
About this Quote
Stapp is drawing a boundary without slamming the door, and that’s what makes the line culturally savvy. He acknowledges a recognizable lane - the “Christian artist” as a job description with an explicit evangelical mission - then steps just to the side of it. The key word is “purpose”: he frames faith-based art as a vocation, not a vibe, which quietly rebukes the expectation that a musician with religious language must automatically become a spokesman.
The subtext is career triage. For an artist whose music has flirted with spiritual imagery and arena-sized uplift, being stamped “Christian rock” can be both a marketing boost and a creative quarantine. Stapp’s “I don’t feel I’ve been called to that yet” is a deft dodge: it’s personal enough to sound sincere, theological enough to feel non-negotiable, and flexible enough to preserve future options. “Yet” does heavy lifting, keeping believers from feeling rejected and skeptics from hearing a conversion press release.
Then he widens the frame: “There’s no telling what kind of call God will put on my life.” It’s humility, but also narrative control. He’s positioning his artistry as an ongoing spiritual storyline rather than a settled brand identity. In the late-’90s/early-2000s ecosystem - where rock authenticity was policed and religious labeling was polarizing - this kind of statement protects the music from being reduced to testimony while still letting faith remain a live wire in the work.
The subtext is career triage. For an artist whose music has flirted with spiritual imagery and arena-sized uplift, being stamped “Christian rock” can be both a marketing boost and a creative quarantine. Stapp’s “I don’t feel I’ve been called to that yet” is a deft dodge: it’s personal enough to sound sincere, theological enough to feel non-negotiable, and flexible enough to preserve future options. “Yet” does heavy lifting, keeping believers from feeling rejected and skeptics from hearing a conversion press release.
Then he widens the frame: “There’s no telling what kind of call God will put on my life.” It’s humility, but also narrative control. He’s positioning his artistry as an ongoing spiritual storyline rather than a settled brand identity. In the late-’90s/early-2000s ecosystem - where rock authenticity was policed and religious labeling was polarizing - this kind of statement protects the music from being reduced to testimony while still letting faith remain a live wire in the work.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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