"Nowadays the audience has changed. No one can anticipate the audience"
About this Quote
Then comes the sharper second line: “No one can anticipate the audience.” It’s less shrug than warning. The subtext is that authority has shifted. The old gatekeepers - studios, critics, exhibitors, even directors - used to imagine the audience as a stable mass you could address from above. Minnelli implies that mass has splintered into subcultures, regions, generations, and appetites that don’t sync up on command. When the audience becomes plural, “anticipation” turns from craft into guesswork.
Context matters: Minnelli’s later career unfolded as television eroded moviegoing habits and the studio system lost its monopoly on spectacle. The quote captures a mid-century creative anxiety that still feels contemporary: when attention fragments, artists either chase signals or double down on a personal vision. Minnelli, ever the stylist, sounds like someone mourning the loss of a common dreamscreen - and acknowledging that the dream no longer belongs to the dream factory.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Minnelli, Vincente. (2026, January 15). Nowadays the audience has changed. No one can anticipate the audience. FixQuotes. https://fixquotes.com/quotes/nowadays-the-audience-has-changed-no-one-can-166406/
Chicago Style
Minnelli, Vincente. "Nowadays the audience has changed. No one can anticipate the audience." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/nowadays-the-audience-has-changed-no-one-can-166406/.
MLA Style (9th ed.)
"Nowadays the audience has changed. No one can anticipate the audience." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/nowadays-the-audience-has-changed-no-one-can-166406/. Accessed 12 Feb. 2026.



