"O' What may man within him hide, though angel on the outward side!"
About this Quote
Shakespeare aims a dagger at appearances: the line marvels at how easily virtue can be costumed. The cry of "O'" is not decorative; it’s alarm, almost disgust, as if the speaker has just watched a human face hold its smile while something predatory shifts behind the eyes. "Man within him hide" makes deceit feel less like a one-off lie and more like an internal architecture - secret rooms, locked doors, concealed motives. Then comes the flourish that makes it sting: "angel on the outward side". Shakespeare doesn’t pick "good" or "kind". He picks the most sanctified image available, implying that hypocrisy isn’t merely social; it borrows the language of holiness.
The intent is theatrical and forensic at once. Shakespeare writes for a stage where costume and mask are literal, yet he uses that stagecraft to expose a psychological truth: people curate their surfaces, and society rewards the performance. The subtext is suspicion - not paranoid, but shrewd. It’s a warning about charisma, reputation, even piety: the more angelic the exterior, the more urgently we should ask what work it’s doing. Virtue can be a strategy.
Contextually, this line lands in a moral universe obsessed with sin and salvation, where outward conduct signaled inner state. Shakespeare flips that assumption into drama fuel. Courts, churches, families - all depend on reading faces correctly, and his plays repeatedly show how unreliable that reading is. The line works because it implicates the audience too: we’re seduced by the "outward side" every day, then shocked when the plot reveals what we were trained to ignore.
The intent is theatrical and forensic at once. Shakespeare writes for a stage where costume and mask are literal, yet he uses that stagecraft to expose a psychological truth: people curate their surfaces, and society rewards the performance. The subtext is suspicion - not paranoid, but shrewd. It’s a warning about charisma, reputation, even piety: the more angelic the exterior, the more urgently we should ask what work it’s doing. Virtue can be a strategy.
Contextually, this line lands in a moral universe obsessed with sin and salvation, where outward conduct signaled inner state. Shakespeare flips that assumption into drama fuel. Courts, churches, families - all depend on reading faces correctly, and his plays repeatedly show how unreliable that reading is. The line works because it implicates the audience too: we’re seduced by the "outward side" every day, then shocked when the plot reveals what we were trained to ignore.
Quote Details
| Topic | Truth |
|---|
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