"Obscenity, which is ever blasphemy against the divine beauty in life, is a monster for which the corruption of society forever brings forth new food, which it devours in secret"
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Obscenity, for Shelley, isn’t just dirty talk or scandal; it’s an aesthetic and moral injury, a kind of sabotage aimed at what he calls “divine beauty.” That phrasing matters. Shelley was a Romantic radical who treated beauty as more than decoration: it’s evidence that life can be otherwise, that human feeling and social arrangements might be reorganized toward freedom. So when he labels obscenity “blasphemy,” he’s not doing prudish pearl-clutching. He’s staging a spiritual critique of a culture that trains people to cheapen sensation and debase intimacy.
The monster image does the heavy lifting. Obscenity “devours in secret,” a neat indictment of hypocrisy: a society that publicly polices virtue while privately manufacturing the appetites it condemns. Shelley’s target is corruption as a system, not a handful of bad actors. “Forever brings forth new food” suggests an economy of vice: exploitation, inequality, and coercion constantly generate fresh material for degradation. The obscenity is parasitic, but the host is social failure.
Context sharpens the bite. Writing in an era of harsh censorship, class misery, and institutional moralizing, Shelley understood how “public decency” can function as a mask for private brutality. His line reads like a pre-Freudian diagnosis of repression: what a culture refuses to face directly returns as furtive consumption. The intent is polemical but also reformist: starve the monster by curing the conditions that keep feeding it.
The monster image does the heavy lifting. Obscenity “devours in secret,” a neat indictment of hypocrisy: a society that publicly polices virtue while privately manufacturing the appetites it condemns. Shelley’s target is corruption as a system, not a handful of bad actors. “Forever brings forth new food” suggests an economy of vice: exploitation, inequality, and coercion constantly generate fresh material for degradation. The obscenity is parasitic, but the host is social failure.
Context sharpens the bite. Writing in an era of harsh censorship, class misery, and institutional moralizing, Shelley understood how “public decency” can function as a mask for private brutality. His line reads like a pre-Freudian diagnosis of repression: what a culture refuses to face directly returns as furtive consumption. The intent is polemical but also reformist: starve the monster by curing the conditions that keep feeding it.
Quote Details
| Topic | Ethics & Morality |
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