"Oddly, because she has that confidence, the people around her like her more. She becomes more a part of the Reaper family, and she also is able to get along with people more outside of their circle as well"
About this Quote
Confidence is doing two jobs here: it’s personal growth, and it’s social currency. Ellen Muth is describing a character whose self-possession doesn’t just make her feel better internally; it changes the temperature of the room. The “oddly” is the tell. It nods to a familiar cultural contradiction, especially for women on screen: confidence is supposed to be admirable, yet it’s often policed as arrogance until the story proves it “deserved.” Muth frames the shift almost like a cheat code - once she carries herself with certainty, other people grant her belonging retroactively.
The phrasing “the people around her like her more” is blunt in a way that feels actorly: not theory, but observed behavior on a set, in a script, in an ensemble. It suggests the character’s confidence functions as a kind of social permission slip. When she believes she belongs, the Reaper family is more willing to treat her as kin, not an accessory or an outsider. Found-family narratives thrive on this: membership is emotional, but it’s enforced through daily micro-reactions - who gets included, who gets trusted, who gets teased like they’re safe.
Then Muth widens the lens: “outside of their circle.” Confidence becomes portability. She’s no longer defined by the group’s orbit; she can cross borders without needing to be vouched for. The subtext is quietly pragmatic: identity isn’t only discovered, it’s negotiated, and the negotiation tilts in your favor when you stop asking permission to exist.
The phrasing “the people around her like her more” is blunt in a way that feels actorly: not theory, but observed behavior on a set, in a script, in an ensemble. It suggests the character’s confidence functions as a kind of social permission slip. When she believes she belongs, the Reaper family is more willing to treat her as kin, not an accessory or an outsider. Found-family narratives thrive on this: membership is emotional, but it’s enforced through daily micro-reactions - who gets included, who gets trusted, who gets teased like they’re safe.
Then Muth widens the lens: “outside of their circle.” Confidence becomes portability. She’s no longer defined by the group’s orbit; she can cross borders without needing to be vouched for. The subtext is quietly pragmatic: identity isn’t only discovered, it’s negotiated, and the negotiation tilts in your favor when you stop asking permission to exist.
Quote Details
| Topic | Confidence |
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