"Of my infancy I can speak little, only I do remember that in the fourth year of my age I had the measles"
About this Quote
Memory doesn’t enter with trumpets; it limps in with a rash. William Lilly’s line is almost aggressively unglamorous, a celebrity origin story that refuses the usual mythology of early genius. Instead of a portent, we get measles. That plainness is the point: by opening his life with a blank spot and a childhood illness, Lilly signals both honesty and a kind of rhetorical modesty, the pose of a man who won’t pretend to know what he can’t remember.
The sentence works because it compresses three moves into one breath. First, a disclaimer: “I can speak little,” which lowers expectations and buys trust. Second, a single surviving detail, presented with the calm precision of a diary entry. Third, an implied argument: the self is less a continuous narrative than a handful of sticky facts that happen to endure. The measles isn’t dramatic, but it’s legible; it’s one of the earliest things a body “records,” even when the mind can’t.
Context matters. Lilly made his name in a culture obsessed with signs and causes, where personal history could be read like a chart. Starting with disease is a quiet nod to contingency: before the prophecies, before the public persona, there was the arbitrary vulnerability of childhood. Calling him a “celebrity” sharpens the irony. Here’s a man remembered for notoriety and prediction, choosing to begin not with destiny but with a common infection - as if to say: the famous life, too, begins in the same small, feverish way as everyone else’s.
The sentence works because it compresses three moves into one breath. First, a disclaimer: “I can speak little,” which lowers expectations and buys trust. Second, a single surviving detail, presented with the calm precision of a diary entry. Third, an implied argument: the self is less a continuous narrative than a handful of sticky facts that happen to endure. The measles isn’t dramatic, but it’s legible; it’s one of the earliest things a body “records,” even when the mind can’t.
Context matters. Lilly made his name in a culture obsessed with signs and causes, where personal history could be read like a chart. Starting with disease is a quiet nod to contingency: before the prophecies, before the public persona, there was the arbitrary vulnerability of childhood. Calling him a “celebrity” sharpens the irony. Here’s a man remembered for notoriety and prediction, choosing to begin not with destiny but with a common infection - as if to say: the famous life, too, begins in the same small, feverish way as everyone else’s.
Quote Details
| Topic | Youth |
|---|---|
| Source | Help us find the source |
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