Creativity Quote by Jon Secada

Secada’s “Oh, yeah” lands like a shrug and a wink: this isn’t a grand artistic manifesto, it’s a practical musician talking shop. That casual opener matters. It frames the idea of covering Billy Joel, Elton John, and Stevie Wonder not as a strategic rebrand, but as something he’s carried around for years - a private wish finally close enough to touch. In pop, where every move can feel focus-grouped, the offhand tone reads as credibility.

Name-checking those three isn’t random nostalgia bait; it’s a map of the musical middle class Secada has always inhabited and helped define. Joel and John signal classic pop craftsmanship and big, singable structures. Wonder signals rhythmic intelligence and emotional precision. Put together, they’re the canon of piano-driven, melody-first songwriting - the kind that prizes clarity over cool. Secada is quietly aligning himself with writers, not just performers, and in doing so he’s asking to be heard as a songwriter in their lineage.

The subtext is also about permission. Covering icons can be an act of humility, but it’s also a bid for proximity: if you can convincingly sing these songs, you’re staking a claim to that tradition. For a bilingual, cross-market artist who’s often been slotted into “Latin pop” as a category, the intent feels like widening the frame. Not escaping his roots, but insisting his influences were never confined by them. Covers, here, become cultural bridgework: a way to translate admiration into identity.