"Old age has got to start creeping up on me one day soon, and frankly I'm very scared. I don't want to be old. I've always felt so young. And I want to stay that way"
About this Quote
Old age arrives in David Niven's mouth not as a dignified stage of life but as a burglar: something that "starts creeping up", uninvited, in the corner of your eye. For an actor whose public persona traded on immaculate charm and controlled ease, that verb choice matters. "Creeping" suggests betrayal by the body, a slow-motion ambush that can’t be outwitted by good tailoring, good manners, or even good jokes.
The line also performs a kind of double exposure: Niven is speaking as a man and as an image. "I've always felt so young" isn’t just private psychology; it’s a career description. Movie stardom, especially mid-century stardom, asks you to embody an everlasting present tense. Youth isn’t merely something you have, it’s something you deliver. So when he says "frankly I'm very scared", the frankness reads like a crack in the polished screen persona, a moment where the practiced lightness can’t fully carry the weight.
There’s subtext in the insistence, too: "I want to stay that way". It's not delusion so much as bargaining. He’s naming the one commodity fame can’t secure. The poignancy comes from the mismatch between how celebrities are remembered (frozen, repeatable, always available) and how they actually live (linear, vulnerable, and running out of takes). Niven’s fear isn’t vanity alone; it’s the terror of becoming uncastable in your own life.
The line also performs a kind of double exposure: Niven is speaking as a man and as an image. "I've always felt so young" isn’t just private psychology; it’s a career description. Movie stardom, especially mid-century stardom, asks you to embody an everlasting present tense. Youth isn’t merely something you have, it’s something you deliver. So when he says "frankly I'm very scared", the frankness reads like a crack in the polished screen persona, a moment where the practiced lightness can’t fully carry the weight.
There’s subtext in the insistence, too: "I want to stay that way". It's not delusion so much as bargaining. He’s naming the one commodity fame can’t secure. The poignancy comes from the mismatch between how celebrities are remembered (frozen, repeatable, always available) and how they actually live (linear, vulnerable, and running out of takes). Niven’s fear isn’t vanity alone; it’s the terror of becoming uncastable in your own life.
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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