"Old friends become bitter enemies on a sudden for toys and small offenses"
About this Quote
Friendship, Burton suggests, is less a sacred bond than a fragile treaty that can collapse over something laughably minor. The sting of “toys and small offenses” isn’t just that the causes are petty; it’s that pettiness is often the true engine of human rupture. By choosing “toys” (a word that in Burton’s period could mean trifles, vanities, passing amusements), he frames many quarrels as arguments over status-symbols and ego-scraps rather than principle. The phrase also carries a deliberately belittling tone: you can almost hear the author’s raised eyebrow at how quickly adults regress into children when pride is poked.
The line’s real bite is in “on a sudden.” Burton is tracking the speed at which affection flips into hostility when the social oxygen of honor, jealousy, or perceived disrespect ignites. Long intimacy doesn’t inoculate against this; it can make the blast radius worse. Old friends know exactly where to press. What looks “small” to an outsider can be, to the participants, a proxy war for deeper anxieties: who’s valued, who’s slighted, who’s losing face.
Context matters: Burton, best known for The Anatomy of Melancholy, wrote in a culture steeped in classical moral psychology and Christian suspicion of vanity. He anatomizes the passions the way a physician dissects symptoms, and this sentence reads like a clinical finding. It’s not sentimental wisdom; it’s a warning that relationships are often governed less by love than by pride, appetite, and the thin-skinned economics of reputation.
The line’s real bite is in “on a sudden.” Burton is tracking the speed at which affection flips into hostility when the social oxygen of honor, jealousy, or perceived disrespect ignites. Long intimacy doesn’t inoculate against this; it can make the blast radius worse. Old friends know exactly where to press. What looks “small” to an outsider can be, to the participants, a proxy war for deeper anxieties: who’s valued, who’s slighted, who’s losing face.
Context matters: Burton, best known for The Anatomy of Melancholy, wrote in a culture steeped in classical moral psychology and Christian suspicion of vanity. He anatomizes the passions the way a physician dissects symptoms, and this sentence reads like a clinical finding. It’s not sentimental wisdom; it’s a warning that relationships are often governed less by love than by pride, appetite, and the thin-skinned economics of reputation.
Quote Details
| Topic | Broken Friendship |
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