"On the night before we were married, all of the anxiety in the world came down upon me"
About this Quote
Panic, here, isn’t a mood. It’s weather: a pressure system that rolls in and flattens the narrator the night before marriage, when there’s still just enough time to run and no socially acceptable way to admit you want to. Hawkes’s phrasing gives the anxiety a physical mass - “all of the anxiety in the world” - a deliberately excessive claim that reads less like melodrama than like a confession of disproportion. The disproportion is the point. Marriage is supposed to be private and romantic; instead, it drags in the whole world: family expectations, sexual dread, class performance, the future’s administrative grind. One person’s vow becomes a public contract, and the psyche reacts accordingly.
The line’s most interesting trick is its passive construction. Anxiety “came down upon me,” as if it were an external force, not an interior one. That dodge is a kind of self-protection. If fear is atmospheric, you don’t have to own it; you only have to endure it. Hawkes, a novelist drawn to intensity and psychological distortions, uses that displacement to hint at unreliability and repression: the narrator can describe the storm but can’t name the source. Is it cold feet? A sense of fraudulence? A premonition that the self about to be married isn’t the self he can live with?
Set on the eve of the ceremony, the line also weaponizes timing. The last quiet night becomes the loudest, because the stakes are suddenly irreversible. The “world” isn’t just a metaphor; it’s the audience, the institution, the narrative of adulthood closing in. Anxiety arrives as consequence.
The line’s most interesting trick is its passive construction. Anxiety “came down upon me,” as if it were an external force, not an interior one. That dodge is a kind of self-protection. If fear is atmospheric, you don’t have to own it; you only have to endure it. Hawkes, a novelist drawn to intensity and psychological distortions, uses that displacement to hint at unreliability and repression: the narrator can describe the storm but can’t name the source. Is it cold feet? A sense of fraudulence? A premonition that the self about to be married isn’t the self he can live with?
Set on the eve of the ceremony, the line also weaponizes timing. The last quiet night becomes the loudest, because the stakes are suddenly irreversible. The “world” isn’t just a metaphor; it’s the audience, the institution, the narrative of adulthood closing in. Anxiety arrives as consequence.
Quote Details
| Topic | Wedding |
|---|---|
| Source | Help us find the source |
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