"On the one hand I wonder, Was this really my story to tell? On the other hand, I just wanted the story to be told. But the truth is that I didn't think anybody was going to read it"
About this Quote
Guilt, deflection, and a dash of plausible deniability all ride in the same sentence here. Stockett sets up a moral seesaw: “Was this really my story to tell?” signals awareness of the ethical tripwire around narrative ownership, especially when a novelist draws from lives marked by race, class, or historical trauma. Then she counterweights it with a classic writerly alibi: “I just wanted the story to be told.” That phrasing quietly shifts agency away from the author and onto some abstract imperative of Story itself, as if the book were less a choice than a public service.
The real tell is the last line: “I didn’t think anybody was going to read it.” It reads humble, but it’s also strategic. If no one’s watching, the stakes shrink; intentions become easier to defend. It frames the act as private curiosity rather than cultural intervention, softening the implied power dynamics between the person who can publish and the people being represented. The subtext: I wasn’t trying to take up space; I stumbled into it.
In context, Stockett’s remark lands amid debates around The Help and who gets to profit from, narrate, and define stories about Black domestic workers in the Jim Crow South. She’s articulating a very modern tension: contemporary audiences demand both imaginative freedom and accountability, and her quote tries to hold both without fully resolving them. That unresolved wobble is the point. It’s a confession that doubles as insulation.
The real tell is the last line: “I didn’t think anybody was going to read it.” It reads humble, but it’s also strategic. If no one’s watching, the stakes shrink; intentions become easier to defend. It frames the act as private curiosity rather than cultural intervention, softening the implied power dynamics between the person who can publish and the people being represented. The subtext: I wasn’t trying to take up space; I stumbled into it.
In context, Stockett’s remark lands amid debates around The Help and who gets to profit from, narrate, and define stories about Black domestic workers in the Jim Crow South. She’s articulating a very modern tension: contemporary audiences demand both imaginative freedom and accountability, and her quote tries to hold both without fully resolving them. That unresolved wobble is the point. It’s a confession that doubles as insulation.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
More Quotes by Kathryn
Add to List






