"On the other hand, I have devoted so much energy to reach the top that I accept the stress of being there"
About this Quote
There is a quiet deal being struck here: success isn’t just an achievement, it’s a lifestyle you sign up for, with penalties baked in. Domingo frames “the top” not as a finish line but as a precarious address. The phrase “on the other hand” matters; it signals a rebuttal to the glamour narrative around celebrity musicians. Whatever admiration the public projects onto a world-famous tenor, he’s insisting on the less photogenic reality that excellence has a price tag, and he’s already paid most of it in advance.
The sentence is built like a staircase. “Devoted so much energy” emphasizes accumulation: years of discipline, travel, rehearsal, and performance that become a sunk cost. That’s why “I accept the stress” lands with a particular fatalism. Acceptance isn’t triumph; it’s resignation with pride. He’s not asking for pity, and he’s not confessing regret. He’s legitimizing stress as the natural tax on elite ambition, a rational consequence of wanting something badly enough.
Culturally, it also mirrors how the arts are sold and survived. Classical music careers are marketed as transcendent, but they’re lived as logistical and psychological endurance sports: constant scrutiny, the terror of vocal decline, the expectation of permanence. Domingo’s subtext is that pressure is not an unfortunate side effect; it’s part of the contract that keeps “the top” meaningful. If the pinnacle were comfortable, it wouldn’t be the pinnacle.
The sentence is built like a staircase. “Devoted so much energy” emphasizes accumulation: years of discipline, travel, rehearsal, and performance that become a sunk cost. That’s why “I accept the stress” lands with a particular fatalism. Acceptance isn’t triumph; it’s resignation with pride. He’s not asking for pity, and he’s not confessing regret. He’s legitimizing stress as the natural tax on elite ambition, a rational consequence of wanting something badly enough.
Culturally, it also mirrors how the arts are sold and survived. Classical music careers are marketed as transcendent, but they’re lived as logistical and psychological endurance sports: constant scrutiny, the terror of vocal decline, the expectation of permanence. Domingo’s subtext is that pressure is not an unfortunate side effect; it’s part of the contract that keeps “the top” meaningful. If the pinnacle were comfortable, it wouldn’t be the pinnacle.
Quote Details
| Topic | Success |
|---|---|
| Source | Help us find the source |
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