"On the other track I got to talk with Jon Poll, my editor, and we go into more detail about the decisions we made in both the production and the post-production. So I hope the combination becomes something worth collecting"
About this Quote
A director talking about “the other track” is really talking about control: not just of the movie, but of the story we tell about the movie afterward. Jay Roach’s line reads like bonus-feature small talk, but it’s also a quiet manifesto about authorship in the era of DVDs, commentaries, and collector culture. He’s signaling that the film doesn’t end when the credits roll; it keeps being made in the explanatory afterlife of production anecdotes, editorial choices, and craft talk.
The key move is the shift from product to process. Roach names his editor, Jon Poll, and foregrounds “decisions” in production and post. That’s not vanity; it’s an argument that filmmaking is collaborative labor and that editing is where intent gets sharpened into meaning. By inviting the listener into “more detail,” he’s framing transparency as value: the audience isn’t just consuming; they’re being let in on the mechanics.
“So I hope” does a lot of work. It’s modest on the surface, but it betrays a deeper anxiety shared by directors in a disposable-content economy: that films get skimmed, streamed, and forgotten. “Worth collecting” isn’t only about physical media; it’s about permanence, about giving a work enough texture and context that it earns shelf space in someone’s identity. Roach is pitching the commentary track as a second art object - one that turns fandom into archival impulse.
The key move is the shift from product to process. Roach names his editor, Jon Poll, and foregrounds “decisions” in production and post. That’s not vanity; it’s an argument that filmmaking is collaborative labor and that editing is where intent gets sharpened into meaning. By inviting the listener into “more detail,” he’s framing transparency as value: the audience isn’t just consuming; they’re being let in on the mechanics.
“So I hope” does a lot of work. It’s modest on the surface, but it betrays a deeper anxiety shared by directors in a disposable-content economy: that films get skimmed, streamed, and forgotten. “Worth collecting” isn’t only about physical media; it’s about permanence, about giving a work enough texture and context that it earns shelf space in someone’s identity. Roach is pitching the commentary track as a second art object - one that turns fandom into archival impulse.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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