"Once to every person and nation come the moment to decide. In the conflict of truth with falsehood, for the good or evil side"
About this Quote
A summons to conscience rings through these lines: there comes a point when both individuals and nations must choose, and delay or neutrality becomes impossible. The moment to decide is not a casual preference but a moral crossroads where truth and falsehood contend, and the stakes are the difference between good and evil. The language insists that moral life is not merely private sentiment; it is public action with consequences for the whole community.
James Russell Lowell wrote during the seething conflicts of mid-19th-century America, when debates over slavery, national expansion, and the uses of power pressed the republic toward crisis. He fashioned his poetry as a prophetic voice, urging readers to see politics as a theater of conscience rather than a marketplace of expediency. The unyielding contrast he draws is deliberate. By naming truth and falsehood, good and evil, he strips away the comfortable gray zones in which injustice often hides, reminding us that many of our clever compromises are simply disguises for moral surrender.
The word "once" makes the call more urgent. It suggests at least one decisive hour for every person and every nation, a kairos when character is revealed. Such moments expose the cost of truth: it may demand sacrifice, social friction, and the courage to stand apart from prevailing opinion. Yet they also expose the cost of evasion, which is complicity.
Lowell’s lines became a refrain for abolitionists and later civil rights leaders, echoing in movements that refused to domesticate the ethical demands of history. W. E. B. Du Bois drew on the poem’s spirit in naming The Crisis, and generations have returned to its cadence when public life grew hazy with rationalizations. The message endures because crises recur, and because truth and falsehood never retire. When the decisive hour arrives, it asks not for spectators but for participants who understand that moral clarity is not extremism; it is fidelity.
James Russell Lowell wrote during the seething conflicts of mid-19th-century America, when debates over slavery, national expansion, and the uses of power pressed the republic toward crisis. He fashioned his poetry as a prophetic voice, urging readers to see politics as a theater of conscience rather than a marketplace of expediency. The unyielding contrast he draws is deliberate. By naming truth and falsehood, good and evil, he strips away the comfortable gray zones in which injustice often hides, reminding us that many of our clever compromises are simply disguises for moral surrender.
The word "once" makes the call more urgent. It suggests at least one decisive hour for every person and every nation, a kairos when character is revealed. Such moments expose the cost of truth: it may demand sacrifice, social friction, and the courage to stand apart from prevailing opinion. Yet they also expose the cost of evasion, which is complicity.
Lowell’s lines became a refrain for abolitionists and later civil rights leaders, echoing in movements that refused to domesticate the ethical demands of history. W. E. B. Du Bois drew on the poem’s spirit in naming The Crisis, and generations have returned to its cadence when public life grew hazy with rationalizations. The message endures because crises recur, and because truth and falsehood never retire. When the decisive hour arrives, it asks not for spectators but for participants who understand that moral clarity is not extremism; it is fidelity.
Quote Details
| Topic | Truth |
|---|---|
| Source | James Russell Lowell, "The Present Crisis" (1845), stanza beginning "Once to every man and nation..." (original poem containing the quoted lines). |
More Quotes by James
Add to List









