"One bites into the brass mouthpiece of his wooden cudgel, and the other blows his cheeks out on a French horn. Do you call that Art?"
About this Quote
In Schubert’s Vienna, “art” was being renegotiated in real time. Virtuoso display was becoming its own commodity, concert life was professionalizing, and bourgeois audiences were learning what to want. Schubert, famously under-credentialed in the marketplace compared to flashier contemporaries, writes music that often hides its genius in plain sight: long lines, quiet harmonic pivots, emotional ambiguity. His satire defends that interior craft against the extrovert spectacle of mere technique.
The cudgel detail matters: it implies violence, bluntness, force. Art, for Schubert, isn’t something you batter an audience with or inflate yourself into delivering. It’s shaped, earned, and purposeful. The quote doubles as a critique of bad taste and a personal protest: if the era rewards cheek-blowing theatrics, the truly musical may end up sounding, to the crowd, like they’re not even trying.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Schubert, Franz. (2026, January 14). One bites into the brass mouthpiece of his wooden cudgel, and the other blows his cheeks out on a French horn. Do you call that Art? FixQuotes. https://fixquotes.com/quotes/one-bites-into-the-brass-mouthpiece-of-his-wooden-156585/
Chicago Style
Schubert, Franz. "One bites into the brass mouthpiece of his wooden cudgel, and the other blows his cheeks out on a French horn. Do you call that Art?" FixQuotes. January 14, 2026. https://fixquotes.com/quotes/one-bites-into-the-brass-mouthpiece-of-his-wooden-156585/.
MLA Style (9th ed.)
"One bites into the brass mouthpiece of his wooden cudgel, and the other blows his cheeks out on a French horn. Do you call that Art?" FixQuotes, 14 Jan. 2026, https://fixquotes.com/quotes/one-bites-into-the-brass-mouthpiece-of-his-wooden-156585/. Accessed 12 Feb. 2026.






