"One cannot weep for the entire world, it is beyond human strength. One must choose"
About this Quote
Anouilh doesn’t offer comfort here; he offers triage. “One cannot weep for the entire world” lands like a refusal to perform limitless empathy on demand, and the blunt follow-up - “One must choose” - strips away the sentimental fantasy that moral feeling can be infinite, cost-free, and politically neutral. It’s a playwright’s line in the sharpest sense: it stages a dilemma, then forces the audience to pick a side.
The intent is less about hardening the heart than exposing the violence hidden inside virtue. If you claim to mourn everything, you end up responsible for nothing. Anouilh’s phrasing makes “human strength” the constraint, not human goodness; the limit is physiological, psychological, real. The subtext is a warning against the theater of compassion: the public tears that absolve you from doing anything specific. Grief, he implies, becomes meaningful only when it attaches to a concrete object - a person, a cause, a decision - and therefore creates obligation.
Context matters because Anouilh wrote in the long shadow of Occupation-era France, where “choosing” wasn’t branding, it was risk: resist, collaborate, keep your head down and call it prudence. His plays repeatedly interrogate purity versus compromise, the desire to stay innocent versus the necessity of getting your hands dirty. This line compresses that worldview into two sentences: moral life is not a boundless feeling; it’s a narrowing. You don’t get to save everyone. You do get to decide who you’re willing to be responsible for.
The intent is less about hardening the heart than exposing the violence hidden inside virtue. If you claim to mourn everything, you end up responsible for nothing. Anouilh’s phrasing makes “human strength” the constraint, not human goodness; the limit is physiological, psychological, real. The subtext is a warning against the theater of compassion: the public tears that absolve you from doing anything specific. Grief, he implies, becomes meaningful only when it attaches to a concrete object - a person, a cause, a decision - and therefore creates obligation.
Context matters because Anouilh wrote in the long shadow of Occupation-era France, where “choosing” wasn’t branding, it was risk: resist, collaborate, keep your head down and call it prudence. His plays repeatedly interrogate purity versus compromise, the desire to stay innocent versus the necessity of getting your hands dirty. This line compresses that worldview into two sentences: moral life is not a boundless feeling; it’s a narrowing. You don’t get to save everyone. You do get to decide who you’re willing to be responsible for.
Quote Details
| Topic | Wisdom |
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