"One can't deny what has happened to us in the past. The secret is to enjoy and be proud of the music we've created and the people with whom we have been linked. It's all a long chain of involvement in the world, and we are proud to be yet another link in this chain"
About this Quote
Nash is doing something slyly political without sounding like he is making a speech: he is reframing nostalgia as responsibility. The opener, "One can't deny what has happened to us in the past", carries the bruised realism of a musician who has watched reputations calcify into myths and grievances. It's not an apology, exactly, but it rejects the luxury of selective memory. In rock history, where reinventions and revisions are practically a survival skill, Nash insists on the past as an immovable fact you either metabolize or let fester.
Then comes the pivot: "The secret is to enjoy and be proud..". That word "secret" is doing a lot of work, selling maturity as a kind of backstage knowledge. Enjoyment isn't escapism here; it's an ethical stance. Pride is redirected away from ego and toward craft ("the music") and community ("the people with whom we have been linked"). Nash is quietly resisting the lone-genius storyline that rock culture loves. He makes legacy collaborative, even accidental: you don't just make art, you get braided into other people's lives, scenes, causes, and compromises.
The "long chain of involvement in the world" line widens the frame beyond band politics. It nods to the 60s ideal that music can be civic participation, not just entertainment, while admitting the generational handoff: they're "yet another link", not the whole chain. Subtext: stop litigating the past like it's a courtroom drama; honor it like a lineage, and keep building forward.
Then comes the pivot: "The secret is to enjoy and be proud..". That word "secret" is doing a lot of work, selling maturity as a kind of backstage knowledge. Enjoyment isn't escapism here; it's an ethical stance. Pride is redirected away from ego and toward craft ("the music") and community ("the people with whom we have been linked"). Nash is quietly resisting the lone-genius storyline that rock culture loves. He makes legacy collaborative, even accidental: you don't just make art, you get braided into other people's lives, scenes, causes, and compromises.
The "long chain of involvement in the world" line widens the frame beyond band politics. It nods to the 60s ideal that music can be civic participation, not just entertainment, while admitting the generational handoff: they're "yet another link", not the whole chain. Subtext: stop litigating the past like it's a courtroom drama; honor it like a lineage, and keep building forward.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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