"One doesn't make art for other people, even though I am very concerned with the viewer"
About this Quote
Kapoor’s line is a tidy contradiction that doubles as an artist’s mission statement: art isn’t made “for” other people, yet the viewer is the gravitational center. The tension is the point. “For” implies service, a commission, a neat delivery of meaning. Kapoor rejects that transactional model, the version of art that functions like content. But he’s not retreating into hermetic genius myth, either. He’s saying the work isn’t audience-targeted, while insisting it is audience-activated.
That maps cleanly onto Kapoor’s practice, where the viewer is less a consumer than a component. The mirrored voids, the pigment-saturated cavities, the illusion of depth that turns into flatness as you move: these pieces don’t yield their effect until your body and perception complete the circuit. Concern with the viewer here isn’t about pleasing them; it’s about staging conditions where looking becomes unstable. You’re implicated, not catered to.
The subtext is also defensive, and culturally savvy. Contemporary art lives under constant suspicion: elitist, opaque, indifferent to “ordinary people.” Kapoor answers without begging for approval. He refuses the idea that accessibility is a moral obligation, while still claiming responsibility for the encounter. It’s a way of preserving artistic autonomy without slipping into contempt.
The quote also smuggles in a deeper claim about meaning: it can’t be prepackaged. If the work is genuinely alive, it has to exceed both the artist’s intention and the audience’s demands. The viewer matters because the artwork’s real subject is the experience of perception itself.
That maps cleanly onto Kapoor’s practice, where the viewer is less a consumer than a component. The mirrored voids, the pigment-saturated cavities, the illusion of depth that turns into flatness as you move: these pieces don’t yield their effect until your body and perception complete the circuit. Concern with the viewer here isn’t about pleasing them; it’s about staging conditions where looking becomes unstable. You’re implicated, not catered to.
The subtext is also defensive, and culturally savvy. Contemporary art lives under constant suspicion: elitist, opaque, indifferent to “ordinary people.” Kapoor answers without begging for approval. He refuses the idea that accessibility is a moral obligation, while still claiming responsibility for the encounter. It’s a way of preserving artistic autonomy without slipping into contempt.
The quote also smuggles in a deeper claim about meaning: it can’t be prepackaged. If the work is genuinely alive, it has to exceed both the artist’s intention and the audience’s demands. The viewer matters because the artwork’s real subject is the experience of perception itself.
Quote Details
| Topic | Art |
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