"One gets into a strange psychological, almost hypnotic, state of mind while on the firing line which probably prevents the mind's eye from observing and noticing things in a normal way"
About this Quote
War doesn’t just maim bodies; it edits perception. Kreisler’s line isolates a chilling, practical truth about combat: the mind protects itself by narrowing the world until only the next second matters. “Strange psychological, almost hypnotic” is doing double duty. It isn’t romantic mysticism; it’s the vocabulary of someone trying to describe dissociation before the term became common currency. On the firing line, attention becomes a tunnel, sensation turns procedural, and the “mind’s eye” stops behaving like an artist’s instrument and starts behaving like a survival mechanism.
The phrasing carries the subtext of a composer who knows what it means to enter altered states voluntarily - the focused trance of practice and performance - then recognizes its brutal cousin in war. Kreisler doesn’t claim heroism or revelation; he emphasizes distortion. “Probably prevents” reads as wary modesty, but it also signals how unreliable memory becomes under threat. You don’t watch yourself living; you execute.
Context matters: Kreisler lived through an era when European modernity prided itself on refinement, only to be shattered by mechanized slaughter. His observation punctures the comforting idea that witnessing war naturally produces clarity, moral certainty, or even coherent narrative. The front line, he suggests, is anti-epiphany. It anesthetizes the very faculty that would later testify, interpret, or turn experience into art.
That’s why the quote lands: it refuses the tidy story of war as either glamorous adventure or straightforward trauma. It’s a report from inside the mental fog, delivered with the quiet authority of someone trained to notice - and shaken by realizing he couldn’t.
The phrasing carries the subtext of a composer who knows what it means to enter altered states voluntarily - the focused trance of practice and performance - then recognizes its brutal cousin in war. Kreisler doesn’t claim heroism or revelation; he emphasizes distortion. “Probably prevents” reads as wary modesty, but it also signals how unreliable memory becomes under threat. You don’t watch yourself living; you execute.
Context matters: Kreisler lived through an era when European modernity prided itself on refinement, only to be shattered by mechanized slaughter. His observation punctures the comforting idea that witnessing war naturally produces clarity, moral certainty, or even coherent narrative. The front line, he suggests, is anti-epiphany. It anesthetizes the very faculty that would later testify, interpret, or turn experience into art.
That’s why the quote lands: it refuses the tidy story of war as either glamorous adventure or straightforward trauma. It’s a report from inside the mental fog, delivered with the quiet authority of someone trained to notice - and shaken by realizing he couldn’t.
Quote Details
| Topic | Military & Soldier |
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