"One hell of an outlay for a very small return, with most of them"
About this Quote
"One hell of an outlay for a very small return, with most of them" lands like a perfectly timed eye-roll from someone who’s done the math and is tired of watching everyone else pretend the numbers add up. Coming from Glenda Jackson - an actress who could turn disdain into an art form, and who later carried that same blunt force clarity into politics - the line reads less like a throwaway complaint than a scalpel.
The phrasing does a lot of work. "Outlay" is briskly transactional, almost accountant-speak, which makes the emotional judgment ("one hell of") hit harder: this isn’t dreamy disappointment, it’s irritated cost-benefit analysis. Then the quiet twist: "with most of them". She doesn’t condemn the whole category; she isolates a pattern. That last clause is where the subtext lives: experience has taught her to expect underperformance, and she’s refusing to romanticize it.
Contextually, Jackson’s public persona was never built on charm for charm’s sake. She specialized in characters - and interviews - that punctured self-importance, especially the kind wrapped in glamour, romance, or institutional prestige. The line can point to lovers, projects, promises, even men as a social class, but its real target is the cultural habit of overspending: investing time, attention, money, and ego into things that reliably don’t pay you back.
It works because it’s unsentimental without being abstract. It’s a verdict delivered in the language of receipts.
The phrasing does a lot of work. "Outlay" is briskly transactional, almost accountant-speak, which makes the emotional judgment ("one hell of") hit harder: this isn’t dreamy disappointment, it’s irritated cost-benefit analysis. Then the quiet twist: "with most of them". She doesn’t condemn the whole category; she isolates a pattern. That last clause is where the subtext lives: experience has taught her to expect underperformance, and she’s refusing to romanticize it.
Contextually, Jackson’s public persona was never built on charm for charm’s sake. She specialized in characters - and interviews - that punctured self-importance, especially the kind wrapped in glamour, romance, or institutional prestige. The line can point to lovers, projects, promises, even men as a social class, but its real target is the cultural habit of overspending: investing time, attention, money, and ego into things that reliably don’t pay you back.
It works because it’s unsentimental without being abstract. It’s a verdict delivered in the language of receipts.
Quote Details
| Topic | Investment |
|---|---|
| Source | Help us find the source |
More Quotes by Glenda
Add to List











