"One keeps forgetting old age up to the very brink of the grave"
About this Quote
Colette’s line lands because it refuses the sentimental script of aging as steady self-awareness. Instead, she sketches old age as a recurring surprise: not a new identity you finally “arrive” at, but a fact you keep misplacing until it’s undeniable. The verb “forgetting” is doing the real work here. It suggests that youth isn’t merely a time of life; it’s a default setting of consciousness, a stubborn self-image that outlives the body’s evidence. Old age becomes less a number than a series of jolts: the mirror, the stairway, the doctor’s tone, the way strangers address you.
The phrase “one keeps” turns the admission into a social diagnosis. Colette isn’t confessing a private vanity; she’s pointing at a collective habit of denial, a culture trained to treat aging as a problem to manage discreetly rather than a condition to inhabit openly. In early 20th-century France, with modern consumer life accelerating and women especially policed for signs of “decline,” the line reads like a cool refusal to perform the expected dread. It’s not fearmongering about mortality; it’s almost mischievous about how long the mind resists filing itself under “old.”
Then comes the hard edge: “the very brink of the grave.” Colette snaps the elastic back to reality. The sentence glides on repetition and then drops you at a cliff, making the point that denial is durable, but time is not. The wit is quiet, the cruelty precise: you don’t fully grasp old age in advance. You recognize it late, the way you recognize endings.
The phrase “one keeps” turns the admission into a social diagnosis. Colette isn’t confessing a private vanity; she’s pointing at a collective habit of denial, a culture trained to treat aging as a problem to manage discreetly rather than a condition to inhabit openly. In early 20th-century France, with modern consumer life accelerating and women especially policed for signs of “decline,” the line reads like a cool refusal to perform the expected dread. It’s not fearmongering about mortality; it’s almost mischievous about how long the mind resists filing itself under “old.”
Then comes the hard edge: “the very brink of the grave.” Colette snaps the elastic back to reality. The sentence glides on repetition and then drops you at a cliff, making the point that denial is durable, but time is not. The wit is quiet, the cruelty precise: you don’t fully grasp old age in advance. You recognize it late, the way you recognize endings.
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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