"One night some short weeks ago, for the first time in her not always happy life, Marilyn Monroe's soul sat down alone to a quiet supper from which it did not rise"
About this Quote
Odets turns a celebrity death into a staged moment of stillness, and the stillness is the point. “Soul sat down alone to a quiet supper” is a theatrical blocking note masquerading as elegy: a single figure, a table, no dialogue, the kind of spare scene a playwright trusts to do the cruelest work. By choosing supper - domestic, ordinary, intimate - he refuses the spectacle that normally surrounds Marilyn Monroe. He drags the myth out of the spotlight and into a room where nothing happens except the unbearable fact of being alone.
The syntax does its own damage. “For the first time” twists the knife: not always happy, but publicly adored. Odets is indicting the American bargain that sells a woman’s image as communal property while leaving her person profoundly unaccompanied. The soul “sat down” suggests weariness, a final surrender to routine; “from which it did not rise” is a euphemism that refuses melodrama, letting the banality of the setting make death more obscene. It’s not a gothic collapse, it’s the body failing at a familiar hour.
Context matters: Odets came up writing about social systems that chew people up, and he writes Monroe the same way - as a casualty of a culture that confuses attention with care. The line implies suicide without gawking at it, shifting the scandal outward. The subtext is less “poor Marilyn” than “what did we build that made a quiet supper the last refuge - and the last trap?”
The syntax does its own damage. “For the first time” twists the knife: not always happy, but publicly adored. Odets is indicting the American bargain that sells a woman’s image as communal property while leaving her person profoundly unaccompanied. The soul “sat down” suggests weariness, a final surrender to routine; “from which it did not rise” is a euphemism that refuses melodrama, letting the banality of the setting make death more obscene. It’s not a gothic collapse, it’s the body failing at a familiar hour.
Context matters: Odets came up writing about social systems that chew people up, and he writes Monroe the same way - as a casualty of a culture that confuses attention with care. The line implies suicide without gawking at it, shifting the scandal outward. The subtext is less “poor Marilyn” than “what did we build that made a quiet supper the last refuge - and the last trap?”
Quote Details
| Topic | Mortality |
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