"One reason why I don't drink is because I wish to know when I am having a good time"
About this Quote
It lands like a champagne flute set down a little too firmly: a joke with teeth, delivered in the clipped cadence of someone used to rooms where “good time” is both pastime and political instrument. Nancy Astor’s line isn’t temperance scolding so much as a power play. By framing sobriety as a way to accurately register pleasure, she flips the usual excuse for drinking (to loosen up, to feel more) into an indictment: if you need alcohol to confirm you’re enjoying yourself, maybe the party is the problem.
The intent is social and strategic. Astor moved through Britain’s elite in an era when heavy drinking lubricated deals, alliances, and reputations. Her quip functions as a boundary and a spotlight. It signals self-control, but also refusal to participate in a culture where men could cloak cruelty, boredom, or opportunism in conviviality. “I wish to know” is doing a lot of work: it implies moral clarity, but also political clarity. No deniability, no fog, no “I didn’t mean it.”
Subtextually, it’s a critique of performative pleasure. The “good time” in question is less joy than ritual: the kind of merriment that proves you belong. Astor’s wit punctures that ritual by insisting on conscious consent to one’s own fun. Coming from the first woman to take a seat in the House of Commons, it also reads as a gendered jab: she refuses the male-coded premise that sociability requires intoxication. The joke keeps her safe; the message doesn’t.
The intent is social and strategic. Astor moved through Britain’s elite in an era when heavy drinking lubricated deals, alliances, and reputations. Her quip functions as a boundary and a spotlight. It signals self-control, but also refusal to participate in a culture where men could cloak cruelty, boredom, or opportunism in conviviality. “I wish to know” is doing a lot of work: it implies moral clarity, but also political clarity. No deniability, no fog, no “I didn’t mean it.”
Subtextually, it’s a critique of performative pleasure. The “good time” in question is less joy than ritual: the kind of merriment that proves you belong. Astor’s wit punctures that ritual by insisting on conscious consent to one’s own fun. Coming from the first woman to take a seat in the House of Commons, it also reads as a gendered jab: she refuses the male-coded premise that sociability requires intoxication. The joke keeps her safe; the message doesn’t.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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