"One thing I can tell you is this, that I am not a methodical writer"
About this Quote
There’s a quiet provocation in Soyinka calling himself “not a methodical writer”: it refuses the comforting myth that serious art is built like a cathedral, blueprints first, scaffolding second. From a dramatist, the line reads less like self-deprecation than a declaration of allegiance to urgency, intuition, and the messy intelligence of performance. Drama isn’t a form that rewards pristine outlines; it rewards pressure, timing, collision. Soyinka’s best-known work lives on that edge, where language is ritual and argument at once, where characters don’t behave like thesis statements.
The phrasing matters. “One thing I can tell you is this” is conversational, almost defensive, as if he’s answering an interviewer who wants a neat account of process. He gives them the opposite: a boundary. The subtext is: don’t mistake my refusal to systematize for a lack of rigor. “Methodical” is a loaded word in literary culture, often coded as disciplined, Western, and properly professional. Soyinka, writing out of Nigeria’s colonial aftermath and into decades shaped by censorship, imprisonment, and political confrontation, knows how “method” can become another demand to be legible on someone else’s terms.
The line also protects the work from being reduced to a recipe. If your craft is myth, satire, Yoruba cosmology, and contemporary power struggles braided together, strict method can be a cage. Soyinka’s intent is to keep creation closer to lived reality: fractured, improvisational, stubbornly untrackable. It’s a warning against fetishizing process and a reminder that artistic authority can come from resisting the interview-friendly narrative of how genius is made.
The phrasing matters. “One thing I can tell you is this” is conversational, almost defensive, as if he’s answering an interviewer who wants a neat account of process. He gives them the opposite: a boundary. The subtext is: don’t mistake my refusal to systematize for a lack of rigor. “Methodical” is a loaded word in literary culture, often coded as disciplined, Western, and properly professional. Soyinka, writing out of Nigeria’s colonial aftermath and into decades shaped by censorship, imprisonment, and political confrontation, knows how “method” can become another demand to be legible on someone else’s terms.
The line also protects the work from being reduced to a recipe. If your craft is myth, satire, Yoruba cosmology, and contemporary power struggles braided together, strict method can be a cage. Soyinka’s intent is to keep creation closer to lived reality: fractured, improvisational, stubbornly untrackable. It’s a warning against fetishizing process and a reminder that artistic authority can come from resisting the interview-friendly narrative of how genius is made.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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