"One thing I want to say: I don't like victim stories and I don't write them"
About this Quote
Solondz is drawing a bright line against the most marketable moral posture in contemporary storytelling: pain as proof of virtue. “Victim stories” aren’t just narratives about suffering; they’re narratives that ask the audience to pre-forgive a character (or creator) because harm has been done to them. He’s rejecting that kind of emotional contract. The phrasing is bluntly managerial, almost defensive - “One thing I want to say” - as if he’s warding off a predictable accusation that his work is “cruel” or “punching down.”
The subtext is classic Solondz: empathy without absolution. His films orbit outsiders, humiliations, and social failures, but they refuse the tidy uplift arc where the wounded protagonist earns our allegiance by being wounded. That’s not a lack of compassion so much as a suspicion of how compassion gets engineered. When culture turns trauma into a credential, victimhood becomes a kind of narrative currency: it purchases importance, it simplifies messy agency into a clean moral ledger, it lets audiences feel decent for feeling bad.
Context matters because Solondz came up in the ’90s indie wave, where “edgy” could still mean staring at uncomfortable human behavior without immediately turning it into a lesson. Read in today’s landscape - where autobiographical trauma is often packaged as authenticity and redemption - the line lands as a refusal to perform therapeutic clarity. He’s saying: I’ll show you pain, but I won’t tell you what it should buy.
The subtext is classic Solondz: empathy without absolution. His films orbit outsiders, humiliations, and social failures, but they refuse the tidy uplift arc where the wounded protagonist earns our allegiance by being wounded. That’s not a lack of compassion so much as a suspicion of how compassion gets engineered. When culture turns trauma into a credential, victimhood becomes a kind of narrative currency: it purchases importance, it simplifies messy agency into a clean moral ledger, it lets audiences feel decent for feeling bad.
Context matters because Solondz came up in the ’90s indie wave, where “edgy” could still mean staring at uncomfortable human behavior without immediately turning it into a lesson. Read in today’s landscape - where autobiographical trauma is often packaged as authenticity and redemption - the line lands as a refusal to perform therapeutic clarity. He’s saying: I’ll show you pain, but I won’t tell you what it should buy.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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