"Original Monkees' songs were produced very thinly, on purpose"
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“Produced very thinly” is a musician’s way of admitting something fans can hear but rarely see acknowledged: those early Monkees records were engineered to sell an idea of a band more than the physical experience of one. “On purpose” is the dagger. It suggests the sonic choices weren’t a budget constraint or a rookie mistake; they were strategy.
In mid-60s pop, thickness meant bodies in a room: drums pushing air, guitars chewing up the midrange, a rhythm section that sounded like it could knock over furniture. Thin production does the opposite. It spotlights the hook, brightens the vocal, trims away the messy proof-of-labor that implies real-time musicianship. For a TV-born group assembled to function as a weekly narrative, that cleanliness is branding. A “thin” mix reads as frictionless, portable, instantly legible on AM radio and cheap speakers - the sound of a product that knows it’s a product.
Tork’s comment also carries a quiet grievance. The Monkees’ long-running wound wasn’t just that session players were used; it was the implication that the band’s own weight - their instincts, their rough edges - was something to be managed. Thinness becomes a metaphor for their early autonomy: present, but not allowed to occupy much space.
There’s an irony here, too: the very minimalism meant to keep the illusion smooth is what later makes those tracks feel almost exposed, like glossy television sets with the walls removed.
In mid-60s pop, thickness meant bodies in a room: drums pushing air, guitars chewing up the midrange, a rhythm section that sounded like it could knock over furniture. Thin production does the opposite. It spotlights the hook, brightens the vocal, trims away the messy proof-of-labor that implies real-time musicianship. For a TV-born group assembled to function as a weekly narrative, that cleanliness is branding. A “thin” mix reads as frictionless, portable, instantly legible on AM radio and cheap speakers - the sound of a product that knows it’s a product.
Tork’s comment also carries a quiet grievance. The Monkees’ long-running wound wasn’t just that session players were used; it was the implication that the band’s own weight - their instincts, their rough edges - was something to be managed. Thinness becomes a metaphor for their early autonomy: present, but not allowed to occupy much space.
There’s an irony here, too: the very minimalism meant to keep the illusion smooth is what later makes those tracks feel almost exposed, like glossy television sets with the walls removed.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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