"Originally I was not writing songs for myself"
About this Quote
There’s a quiet bombshell in Smokey Robinson admitting, "Originally I was not writing songs for myself". It punctures the romantic myth of the pop auteur pouring diary entries into a microphone. Smokey is pointing to a craft tradition: songwriting as service work, as architecture built for someone else to live in.
In the Motown ecosystem, that orientation wasn’t just personal humility, it was strategy. Hits were engineered to move across radio formats, across neighborhoods, across the fault lines of 1960s America. Writing "for myself" risks idiosyncrasy; writing for a group, a label, an audience demands empathy and discipline. Smokey’s genius was learning to ventriloquize feeling. He could give The Temptations a growl, give Mary Wells a glow, give his own Miracles a velvet ache, all while keeping the emotional temperature high and the language clean enough for mainstream airplay.
The subtext is also about authorship and visibility. Black creators in that era were often encouraged to be the engine, not the face. Saying he wasn’t writing for himself hints at a system where your voice might be used before it’s celebrated. Yet it’s not bitterness; it’s a flex. He’s describing the moment before identity hardens, when talent is still a tool you aim outward. Later, "myself" becomes possible precisely because he mastered everyone else first.
In the Motown ecosystem, that orientation wasn’t just personal humility, it was strategy. Hits were engineered to move across radio formats, across neighborhoods, across the fault lines of 1960s America. Writing "for myself" risks idiosyncrasy; writing for a group, a label, an audience demands empathy and discipline. Smokey’s genius was learning to ventriloquize feeling. He could give The Temptations a growl, give Mary Wells a glow, give his own Miracles a velvet ache, all while keeping the emotional temperature high and the language clean enough for mainstream airplay.
The subtext is also about authorship and visibility. Black creators in that era were often encouraged to be the engine, not the face. Saying he wasn’t writing for himself hints at a system where your voice might be used before it’s celebrated. Yet it’s not bitterness; it’s a flex. He’s describing the moment before identity hardens, when talent is still a tool you aim outward. Later, "myself" becomes possible precisely because he mastered everyone else first.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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