"Other people, including me, have written books with main characters who were old and rich. Or old and brilliant. Old sages, old wizards, old rich people"
About this Quote
Moon is taking a dry, almost side-eyeing inventory of the kinds of “old” characters fiction is willing to celebrate. Notice the rhythm: old and rich, old and brilliant, old sages, old wizards. Age gets to stay on the page as long as it arrives pre-sweetened with power, money, or mystical authority. The repetition works like a receipt: here are the approved archetypes, stamped and paid for, familiar enough to pass without question.
The self-inclusion - “including me” - is the tell. She’s not posturing as an outsider scolding the genre; she’s indicting a habit she’s participated in. That’s both ethical and tactical. It softens defensiveness in the reader while sharpening the critique: if even writers who care fall into these templates, the template is structural, not just laziness.
Underneath is a sly comment about who we allow to age with dignity. “Old” in pop storytelling often needs a justification, an added credential that cancels the audience’s discomfort with decline and dependency. The old person can’t simply be a protagonist living inside ordinary limits; they must be a wizard, a bank account, a walking library. Moon’s list hints at science fiction and fantasy’s long tradition of venerating elders as plot devices - mentors, gatekeepers, lore dispensers - rather than full-bodied leads with desire, messiness, and change left in them.
Contextually, coming from a genre novelist known for military SF and fantasy, it reads like craft-level self-critique: a writer noticing the default settings and pushing against the idea that age needs a costume to be narratively “worth it.”
The self-inclusion - “including me” - is the tell. She’s not posturing as an outsider scolding the genre; she’s indicting a habit she’s participated in. That’s both ethical and tactical. It softens defensiveness in the reader while sharpening the critique: if even writers who care fall into these templates, the template is structural, not just laziness.
Underneath is a sly comment about who we allow to age with dignity. “Old” in pop storytelling often needs a justification, an added credential that cancels the audience’s discomfort with decline and dependency. The old person can’t simply be a protagonist living inside ordinary limits; they must be a wizard, a bank account, a walking library. Moon’s list hints at science fiction and fantasy’s long tradition of venerating elders as plot devices - mentors, gatekeepers, lore dispensers - rather than full-bodied leads with desire, messiness, and change left in them.
Contextually, coming from a genre novelist known for military SF and fantasy, it reads like craft-level self-critique: a writer noticing the default settings and pushing against the idea that age needs a costume to be narratively “worth it.”
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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