"Our dreams drench us in senses, and senses steps us again in dreams"
About this Quote
Alcott’s line reads like a waking-life koan: a deliberate grammatical slippage that mimics the mental slippage between sleeping and waking. “Dreams drench us in senses” makes the unconscious physical. “Drench” isn’t a gentle metaphor; it’s saturation, immersion, a kind of involuntary baptism. Then he flips the current: “senses steps us again in dreams.” The awkward verbing of “steps” is the point. Our senses don’t merely inform us; they move us, shove us, carry us back into the dreamlike patterns that shape perception and belief.
The intent is pedagogical as much as poetic. As an educator in the Transcendentalist orbit, Alcott was suspicious of schooling that treated the mind as a filing cabinet. He wanted inner life to count as knowledge, not as distraction. This sentence argues that perception is never neutral: the “senses” are already steeped in prior imaginings, desires, and narratives. Even daylight experience is partly a replay of the psyche’s nocturnal theatre.
Subtextually, he’s also defending a moral psychology. If dreams and senses are reciprocal, then character is built not only through external discipline but through attention to the mind’s private weather. The line nudges readers to treat imagination as an instrument of reality-making, not escapism.
Context matters: mid-19th-century America was industrializing, measuring, systematizing. Alcott pushes back with a sentence that refuses clean logic, insisting that human consciousness is cyclical, porous, and resistant to being reduced to facts on a slate.
The intent is pedagogical as much as poetic. As an educator in the Transcendentalist orbit, Alcott was suspicious of schooling that treated the mind as a filing cabinet. He wanted inner life to count as knowledge, not as distraction. This sentence argues that perception is never neutral: the “senses” are already steeped in prior imaginings, desires, and narratives. Even daylight experience is partly a replay of the psyche’s nocturnal theatre.
Subtextually, he’s also defending a moral psychology. If dreams and senses are reciprocal, then character is built not only through external discipline but through attention to the mind’s private weather. The line nudges readers to treat imagination as an instrument of reality-making, not escapism.
Context matters: mid-19th-century America was industrializing, measuring, systematizing. Alcott pushes back with a sentence that refuses clean logic, insisting that human consciousness is cyclical, porous, and resistant to being reduced to facts on a slate.
Quote Details
| Topic | Wisdom |
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