"Our Father which art in heaven - Stay there - And we will stay on earth - Which is sometimes so pretty"
About this Quote
Prayer gets flipped into protest with a shrug of tenderness. Prevert takes the most recognizable opening line in French Catholic culture and yanks it off its pedestal: "Our Father which art in heaven" arrives with all the expected reverence, then comes the insolent dash - "Stay there" - a childlike command that’s also a grown-up boundary. The poem’s intent isn’t simple atheism; it’s a refusal of a God who presides at a distance while earthly suffering is managed by those left behind.
The subtext is postwar and pointed. Writing in a France marked by occupation, collaboration, liberation, and the moral hangover that followed, Prevert belongs to a current of left-leaning, anti-clerical humanism that distrusts institutions claiming transcendent authority. Heaven here is not comfort but abdication: a remote headquarters issuing platitudes while real life happens in the rubble, in love affairs, in hunger, in small mercies. "And we will stay on earth" is resignation made defiant - the decision to locate meaning in the only place we can actually touch.
Then he lands on that final twist: "Which is sometimes so pretty". The line is disarming because it refuses grand tragedy and grand faith at once. "Sometimes" undercuts any romanticizing of the world, but "so pretty" insists on a stubborn, ordinary beauty that doesn’t need divine endorsement. Prevert’s wit works like a streetlamp: it makes the scene clearer, not prettier than it is.
The subtext is postwar and pointed. Writing in a France marked by occupation, collaboration, liberation, and the moral hangover that followed, Prevert belongs to a current of left-leaning, anti-clerical humanism that distrusts institutions claiming transcendent authority. Heaven here is not comfort but abdication: a remote headquarters issuing platitudes while real life happens in the rubble, in love affairs, in hunger, in small mercies. "And we will stay on earth" is resignation made defiant - the decision to locate meaning in the only place we can actually touch.
Then he lands on that final twist: "Which is sometimes so pretty". The line is disarming because it refuses grand tragedy and grand faith at once. "Sometimes" undercuts any romanticizing of the world, but "so pretty" insists on a stubborn, ordinary beauty that doesn’t need divine endorsement. Prevert’s wit works like a streetlamp: it makes the scene clearer, not prettier than it is.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | From the poem "Notre Père" ("Our Father") by Jacques Prévert; appears in the collection Paroles (1946). |
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