"Our parents were very strict. Not in a brutal or awful way, but there were definite rules, such as after six on a school night you didn't go out, and at weekends you had to be home by a certain time. It wasn't particularly sheltered, but we were well brought-up"
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Strictness gets rehabilitated here, not as trauma but as a kind of quiet privilege: structure that didn’t scar, boundaries that didn’t suffocate. Caroline Corr frames her upbringing with careful qualifiers - “not brutal,” “not awful,” “not particularly sheltered” - as if she’s anticipating the modern reflex to equate rules with repression. That preemptive defense is the point. She’s drawing a line between control and care, and insisting that what she had was the latter.
The specificity of the rules matters: “after six on a school night,” “home by a certain time.” These aren’t abstract moral edicts; they’re logistics. They signal a household where time, responsibility, and community expectations were taken seriously. It’s also a neat way of marking class and stability without naming either. “We were well brought-up” is a loaded phrase in the British/Irish register: less about money than about manners, self-discipline, and not making your problems other people’s problems.
As a musician, Corr is also doing a subtle piece of myth-management. Pop biographies often lean on either deprivation (to explain hunger) or chaos (to explain edge). She offers a third narrative: consistency as a foundation for creative risk. The subtext is that boundaries didn’t limit her; they gave her room to grow. It’s a nostalgic argument, but also a strategic one: in an era of blurred lines and always-on adolescence, she’s pitching rules as an inheritance, not an injury.
The specificity of the rules matters: “after six on a school night,” “home by a certain time.” These aren’t abstract moral edicts; they’re logistics. They signal a household where time, responsibility, and community expectations were taken seriously. It’s also a neat way of marking class and stability without naming either. “We were well brought-up” is a loaded phrase in the British/Irish register: less about money than about manners, self-discipline, and not making your problems other people’s problems.
As a musician, Corr is also doing a subtle piece of myth-management. Pop biographies often lean on either deprivation (to explain hunger) or chaos (to explain edge). She offers a third narrative: consistency as a foundation for creative risk. The subtext is that boundaries didn’t limit her; they gave her room to grow. It’s a nostalgic argument, but also a strategic one: in an era of blurred lines and always-on adolescence, she’s pitching rules as an inheritance, not an injury.
Quote Details
| Topic | Parenting |
|---|---|
| Source | Help us find the source |
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