"Our understanding is correlative to our perception"
About this Quote
Delaunay’s line lands like a manifesto disguised as a modest observation: you don’t think your way into seeing; you see your way into thinking. “Correlative” is the tell. It rejects the comforting hierarchy where understanding sits above sensation, judging it from a safe distance. For Delaunay, perception isn’t raw input waiting to be translated into meaning. It is the engine that manufactures meaning in the first place.
Coming from an artist who helped push abstraction and color theory into the bloodstream of modernism, the quote reads as both defense and provocation. In the early 20th century, painting was being accused of losing the plot - abandoning recognizable subjects for fractured forms and pure color. Delaunay flips the charge: maybe the “plot” was always an agreement between the eye and the mind, not a fixed story out there in the world. If your perception changes (through modern life, speed, electric light, urban spectacle), your understanding must change with it. New ways of seeing require new ways of knowing.
The subtext is quietly political, too. If understanding is tethered to perception, then the people who shape perception - institutions, technologies, propaganda, even the design of cities - are also shaping what counts as reality. Delaunay isn’t offering a self-help aphorism; he’s staking a claim for art’s seriousness. Painting can recalibrate perception, and by doing so it can recalibrate consciousness. That’s why it works: it collapses the distance between aesthetics and epistemology, making “how it looks” inseparable from “what it means.”
Coming from an artist who helped push abstraction and color theory into the bloodstream of modernism, the quote reads as both defense and provocation. In the early 20th century, painting was being accused of losing the plot - abandoning recognizable subjects for fractured forms and pure color. Delaunay flips the charge: maybe the “plot” was always an agreement between the eye and the mind, not a fixed story out there in the world. If your perception changes (through modern life, speed, electric light, urban spectacle), your understanding must change with it. New ways of seeing require new ways of knowing.
The subtext is quietly political, too. If understanding is tethered to perception, then the people who shape perception - institutions, technologies, propaganda, even the design of cities - are also shaping what counts as reality. Delaunay isn’t offering a self-help aphorism; he’s staking a claim for art’s seriousness. Painting can recalibrate perception, and by doing so it can recalibrate consciousness. That’s why it works: it collapses the distance between aesthetics and epistemology, making “how it looks” inseparable from “what it means.”
Quote Details
| Topic | Truth |
|---|
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