"Our works and our play. All our pleasures experienced as the pleasure of love. What could be better that? To feel in one's work the tender and flushed substance of one's dearest concern"
About this Quote
A private manifesto dressed up as a daydream: the fantasy that labor and leisure could be metabolized into the same feeling - love. Richards isn’t pitching “do what you love” as a LinkedIn bumper sticker. She’s after something more intimate and frankly more demanding: a life where attention doesn’t split into grim duty on one side and guilty pleasure on the other. Work and play collapse into a single emotional register, and the reward isn’t productivity but a kind of bodily warmth.
The line “All our pleasures experienced as the pleasure of love” is doing quiet polemical work. It implies that most pleasures are diluted, misnamed, or missing their true engine: devotion. Love here isn’t just romance; it’s the “dearest concern,” the thing you’d protect when everything else gets negotiable. That phrase is key because it shifts the quote from hedonism to ethics. If you can feel love inside your work, you’re not chasing novelty; you’re committing to meaning, and letting it tint even the mundane.
Then Richards turns tactile: “tender and flushed substance.” “Flushed” suggests embarrassment, arousal, aliveness - the body refusing to be abstracted. The subtext is a critique of modern compartmentalization, where work is sterilized of feeling and play is treated as escape. She’s arguing for integration, but not balance. Balance implies trade-offs; Richards wants continuity, the radical idea that what animates your heart could also animate your hours.
The line “All our pleasures experienced as the pleasure of love” is doing quiet polemical work. It implies that most pleasures are diluted, misnamed, or missing their true engine: devotion. Love here isn’t just romance; it’s the “dearest concern,” the thing you’d protect when everything else gets negotiable. That phrase is key because it shifts the quote from hedonism to ethics. If you can feel love inside your work, you’re not chasing novelty; you’re committing to meaning, and letting it tint even the mundane.
Then Richards turns tactile: “tender and flushed substance.” “Flushed” suggests embarrassment, arousal, aliveness - the body refusing to be abstracted. The subtext is a critique of modern compartmentalization, where work is sterilized of feeling and play is treated as escape. She’s arguing for integration, but not balance. Balance implies trade-offs; Richards wants continuity, the radical idea that what animates your heart could also animate your hours.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
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