"Outside of the mindless sitcoms that the networks thrive on, people able to think generally consider most entertainment is escape in one form or another"
About this Quote
Gygax’s jab lands because it flatters and indicts in the same breath. He draws a bright line between “mindless sitcoms” and “people able to think,” then immediately folds nearly all entertainment into the same category anyway: escape. It’s a canny bit of positioning from a man who built an empire on imaginative flight. He’s not pretending Dungeons and Dragons is “more real” than TV; he’s arguing that escapism isn’t a defect, it’s the point. The insult is reserved for the networks, not the impulse.
The phrasing “the networks thrive on” is doing heavy work. It suggests a machine optimized for lowest-common-denominator comfort, the mass production of passive distraction. In that setup, “mindless” isn’t just about taste, it’s about power: who gets to set the menu, who profits from keeping audiences docile. When Gygax appeals to “people able to think,” it’s less elitism than recruitment. He’s calling for a different kind of escape: participatory, self-directed, mentally athletic.
The context matters. Gygax spent decades watching mainstream culture dismiss role-playing as childish, nerdy, even dangerous, while TV’s blandest products received automatic legitimacy. His line flips that hierarchy. If all entertainment is some species of leaving the room, then the question isn’t whether you’re escaping. It’s whether you’re escaping into something that asks you to imagine, collaborate, risk failure, and make meaning, or into something pre-chewed and sold back to you with commercials.
The phrasing “the networks thrive on” is doing heavy work. It suggests a machine optimized for lowest-common-denominator comfort, the mass production of passive distraction. In that setup, “mindless” isn’t just about taste, it’s about power: who gets to set the menu, who profits from keeping audiences docile. When Gygax appeals to “people able to think,” it’s less elitism than recruitment. He’s calling for a different kind of escape: participatory, self-directed, mentally athletic.
The context matters. Gygax spent decades watching mainstream culture dismiss role-playing as childish, nerdy, even dangerous, while TV’s blandest products received automatic legitimacy. His line flips that hierarchy. If all entertainment is some species of leaving the room, then the question isn’t whether you’re escaping. It’s whether you’re escaping into something that asks you to imagine, collaborate, risk failure, and make meaning, or into something pre-chewed and sold back to you with commercials.
Quote Details
| Topic | Art |
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