"Pain is filtered in a poem so that it becomes finally, in the end, pleasure"
About this Quote
Pain doesn’t arrive in art as raw data; it arrives as material. Strand’s line is blunt about the alchemy: poetry doesn’t deny suffering, it processes it. “Filtered” is the key word - not purified, not erased, not redeemed, but strained through form. A poem is a device that forces experience to pass through rhythm, image, syntax, omission. What survives that passage is no longer identical to the original hurt. It’s shaped, bounded, made intelligible enough to be held.
Strand also refuses the easy moral of “growth” or “healing.” He doesn’t claim pain becomes wisdom. He claims it becomes pleasure, which is more unsettling and more honest about why people return to poems. The pleasure isn’t sadism; it’s the satisfaction of pattern, the relief of seeing chaos take a coherent shape, the intimacy of recognition. Art turns private anguish into a shared object - something that can be contemplated rather than merely endured. The poem doesn’t fix your life, but it gives your life a form you can live with for a few lines.
Context matters: Strand’s work often lives in a cool, lucid space where emptiness, mortality, and estrangement are rendered with eerie calm. That temperament fits the claim. He’s describing the poet’s craft as emotional engineering, and the reader’s complicity in it. We go to poems for permission to feel deeply - with safeguards. The “end” isn’t happiness; it’s a controlled landing.
Strand also refuses the easy moral of “growth” or “healing.” He doesn’t claim pain becomes wisdom. He claims it becomes pleasure, which is more unsettling and more honest about why people return to poems. The pleasure isn’t sadism; it’s the satisfaction of pattern, the relief of seeing chaos take a coherent shape, the intimacy of recognition. Art turns private anguish into a shared object - something that can be contemplated rather than merely endured. The poem doesn’t fix your life, but it gives your life a form you can live with for a few lines.
Context matters: Strand’s work often lives in a cool, lucid space where emptiness, mortality, and estrangement are rendered with eerie calm. That temperament fits the claim. He’s describing the poet’s craft as emotional engineering, and the reader’s complicity in it. We go to poems for permission to feel deeply - with safeguards. The “end” isn’t happiness; it’s a controlled landing.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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