"Painting is the aesthetic side of the object but it has never been original, has never been its own goal"

Kazimir Malevich, a pioneering figure in the avant-garde movement and developer of the Suprematist art movement, uses an extensive commentary on the nature and function of painting with his quote: "Painting is the visual side of the object but it has actually never been initial, has actually never ever been its own objective". To interpret this statement, it's important to look into the philosophy underlying Malevich's work and the wider context of artistic advancement.

Malevich's assertion that painting "has never been initial" challenges the conventional view of art as an act of development or development ex nihilo. Instead, he recommends that art, and painting in specific, is inherently acquired and fundamentally connected to the things of the visible world. This does not suggest a lack of imagination or worth but highlights the concept that painting reflects and interprets pre-existing truths rather than developing completely brand-new ones. It resonates with the concept that artists draw motivation from the world around them; their work, for that reason, is a reinterpretation or improvement of that truth.

By mentioning painting "has actually never ever been its own goal", Malevich discuss the principle that art transcends its medium. Painting acts as an avenue for revealing something more extensive-- be it feelings, ideologies, or experiences. For Malevich and the Suprematists, art aimed to reach abstract and spiritual measurements, stepping beyond the practical function of portraying physical objects. His own works, such as the renowned "Black Square", signify the effort to disconnect art from the material world and explore pure artistic expression and feeling.

In conclusion, Malevich's perspective reframes painting as a car that reveals the aesthetic essence of truth while at the same time striving to transcend it. His quote welcomes us to reconsider the function of painting, highlighting its role as a transformative and reflective endeavor rather than merely an act of item creation. Through this lens, art becomes a dialogue in between tangible reality and intangible suitables, an expedition that extends beyond the visible into the realm of human perception and idea.