"Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see"
About this Quote
The subtext is also a defense of performance itself. If viewers “become” the characters, then acting isn’t a decorative layer on top of a script; it’s the ignition system that invites people into a temporary self-experiment. Neuwirth’s repetition of “the more” turns the quote into a feedback loop: empathy deepens attention, attention deepens meaning. You don’t “see” because the show hands you a message; you see because inhabiting another person reorganizes what you notice - the micro-motives, the contradictions, the parts of yourself you’d rather keep offstage.
There’s a subtle cultural argument here, too. In an era of second-screen snark and “content” as background noise, she’s staking a claim for immersion as the real metric of success. Not ratings, not discourse: the moment the audience stops being consumers and starts being participants.
Quote Details
| Topic | Movie |
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| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Neuwirth, Bebe. (2026, January 15). Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see. FixQuotes. https://fixquotes.com/quotes/part-of-the-success-of-the-show-is-that-the-167026/
Chicago Style
Neuwirth, Bebe. "Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/part-of-the-success-of-the-show-is-that-the-167026/.
MLA Style (9th ed.)
"Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/part-of-the-success-of-the-show-is-that-the-167026/. Accessed 7 Feb. 2026.

