"Participation, I think, or one of the best methods of educating"
About this Quote
Participation is the sneaky engine in Tom Glazer's whole project: you do not educate kids by lecturing at them, you educate them by getting them to sing, clap, answer back, move. The line is awkwardly phrased, almost mid-thought, which actually helps its credibility. It feels like something said by a working musician who has watched attention drift the second learning becomes performance-for-the-adult.
Glazer came up through a mid-century America that treated folk music as both culture and tool kit: simple melodies, shared lyrics, group voices. In that world, participation isn't a cute add-on; it's the delivery system. If everyone can join, everyone has ownership. That's the democratic subtext: knowledge isn't handed down from the expert on stage, it's made in the room. His songs (think classroom standards and sing-alongs) thrive on repetition and call-and-response, techniques that smuggle instruction inside pleasure. You remember what you can do, not what you were told.
There's also a quiet pushback here against passive consumption. Even before "screen time" became a parental panic phrase, Glazer is insisting that spectatorship makes learners smaller. Participation makes them loud, coordinated, unembarrassed. It trains social muscles as much as cognitive ones: listening, timing, taking a turn, matching pitch, negotiating a shared tempo. Education, in this framing, is less about downloading facts and more about rehearsing citizenship - together, in sync, with room for individual voice.
Glazer came up through a mid-century America that treated folk music as both culture and tool kit: simple melodies, shared lyrics, group voices. In that world, participation isn't a cute add-on; it's the delivery system. If everyone can join, everyone has ownership. That's the democratic subtext: knowledge isn't handed down from the expert on stage, it's made in the room. His songs (think classroom standards and sing-alongs) thrive on repetition and call-and-response, techniques that smuggle instruction inside pleasure. You remember what you can do, not what you were told.
There's also a quiet pushback here against passive consumption. Even before "screen time" became a parental panic phrase, Glazer is insisting that spectatorship makes learners smaller. Participation makes them loud, coordinated, unembarrassed. It trains social muscles as much as cognitive ones: listening, timing, taking a turn, matching pitch, negotiating a shared tempo. Education, in this framing, is less about downloading facts and more about rehearsing citizenship - together, in sync, with room for individual voice.
Quote Details
| Topic | Teaching |
|---|---|
| Source | Help us find the source |
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